Faure: Requiem 弗雷：安魂曲
- 艺人
- Paavo Järvi
- 语种
- 其他
- 厂牌
- Virgin Classics
- 发行时间
- 2011年10月04日
- 专辑类别
- 录音室专辑
专辑介绍
Conductor: Paavo Jarvi
Orchestra: Orchestre de Paris
Performer:
Philippe Jaroussky (countertenor)
Matthias Goerne (baritone)
Choeur de lOrchestre de Paris
The second Virgin Classics CD from the Orchestre de Paris under its new Music Director, Paavo Järvi, is entirely devoted to Fauré, with his Requiem as the centrepiece. The soloists are baritone Matthias Goerne and, singing the Pie Jesu usually assigned to a soprano, countertenor Philippe Jaroussky.
Paavo Järvi assumed his role as Music Director of the Orchestre de Paris at the beginning of the 2010-11 season and this, his second Virgin Classics recording with the orchestra, is based on concerts that took place in Paris in early 2011. Like its predecessor, a programme of Bizet released in Autumn 2010 (admired by the UKs Observer for the "perfect athleticism and agility ... provided in abundance by the Orchestre de Paris under its new conductor, Paavo Järvi), it is entirely devoted to music by one French composer -- here Gabriel Fauré. His serene, consoling Requiem is the main work on the CD, which also includes three other much-loved pieces and one little-known item.
"For a conductor from outside France, working on French repertoire with a French orchestra is an exciting prospect, and lOrchestre de Paris is consummate in this music," comments Järvi. "I discovered French composers pretty early on, as I was getting to know the Romantic repertoire, with Fauré, Bizet and Dukas. Debussy and Ravel came later. They were a revelation for me." (Ravel, of course, was a pupil of Fauré at Paris Conservatoire, where the older composer taught for many years.)
The Requiem features two vocal soloists, usually a soprano and a baritone. Here, however, a countertenor - exclusive Virgin Classics artist Philippe Jaroussky - brings his ethereal timbre and sensitive phrasing to the poised Pie Jesu. His baritone colleague is the warm-toned German Matthias Goerne, acknowledged as on of todays finest vocal recitalists. The Chaeur de lOrchestre de Paris also perform in three other works on the CD, the exquisite Pavane, with its flowing melody and mock-Rococo verses, and two early works to religious texts, the touching Cantique de Jean Racine and Super Flumina Babylonis (By the Rivers of Babylon).
Completing the programme is a purely instrumental work, the reflective, but impassioned Elégie for cello and orchestra, in which the soloist is the Orchestre de Paris Principal Cellist, Eric Picard
最新简评（共14条）
- @天使angel(我还没想好要写什么...)：
- @ミ ●ω● 彡(`)：~
- @大喵(不要自我设限.....)：❇️❇️❇️
- @~：
- @黑洞(流浪虾米村)：
- @小雪雪猫猫：
- @乐乐(我还没想好要写什么...)：
- @WMY1964：值得注意的是，作品中没有采用通常的安魂曲中所有的“震怒之日”，而以“慈悲耶稣”乐章取而代之；此外，最后两个乐章的歌词也不是出自传统的安魂弥撒，而是出自埋葬灵柩時的祈祷文（Order of Burial）。这些都是福莱这部作品与其它安魂曲明显的不同之处。在音乐方面，整部作品不追求戏剧性（主要是没有采用“震怒之日”等富于戏剧性的段落），而是着重表达人们对待死亡更深刻，更安详的理念与情绪，总体上相对显得更加深沉，平和。 福莱的《d小调安魂曲》被誉为“世界三大安魂曲”之一。另外两部分别出自莫扎特与威尔第。
- @WMY1964：作品的歌词用拉丁文，基本沿用传统的罗马天主教安魂弥撒的唱词，但有所改动和增添。全曲由以下七个乐章组成： I. 进台咏与垂怜经（Introit et Kyrie ）； II. 奉献经（Offertory ）； III. 圣哉经（Sanctus ）； IV. 慈悲耶稣（Pie Jesu ）； V. 羔羊经（Agnus Dei ）； VI. 拯救我（Libera me ）； VII. 在天国（In Paradisum）。 作品为女高音和男中音独唱各一名，及混声合唱团，管弦乐团与风琴所写。全曲用时大约35分钟。
- @WMY1964：福莱的《d小调安魂曲》是他最著名的合唱作品。其创作目的和背景并不清楚，但有证据表明并非为悼念作曲家的父母而作。作品的最早的版本于1888年在法国首演。其后，作曲家做过多次修订，后世的演出通常遵照作曲家本人于1900年左右所做的最终修订版。