Amour
- 艺人
- Natasha Marsh
- 语种
- 英语
- 厂牌
- EMI
- 发行时间
- 2007年02月05日
- 专辑类别
专辑介绍
by Sharon Mawer
It was strange that this album should be released by EMI in the middle of February. Subtitled The Voice of Romance, Amour was the debut album by classical crossover's brightest young hope (don't they have a lot in that genre?), but it was released too late for Valentine's Day and EMI should have known that this sort of material really only sold well at Christmastime. Katherine Jenkins knew that, and timed her releases accordingly. With Natasha Marsh having been touted as the next big thing, Amour was a mixture of standard classical works and film music sung in a style suited to a soprano. The classical pieces included Satie's Gymnopedie No.1, in which Marsh did not actually sing any words but warbled up and down the scale, as she also did on final track Vocalise, Delibes' Les Filles de Cadix, and Verdi's Si un Jour, which was used in the film Jean de Florette and was therefore a crossover between the two genres. From the film world she also included "Ai Giochi Addio" from Romeo and Juliet and "Mi Mancherai" from Il Postino. Amour also featured Natasha Marsh's soprano voice on the contemporary pop songs "The First Time Ever I Saw Your Face" and "He Moves, and Eyes Follow," which she turned into operatic arias (not suiting the songs), and "Autumn Leaves," which was one of the highlights of the album, beautifully sung.
最新简评（共41条）
- @Weber(敬往事一杯 云淡风轻踏浪...)：
- @Weber(敬往事一杯 云淡风轻踏浪...)：
- @Greenman：Amour Natasha Marsh 这是一种非常类似通过SUV降低高度变成掀背的跨界车，通过减少一部分空间即可增加其灵活性和操控性。唱花腔的转向美声应该就是这效果，轻驾就熟、不但毫无违和之感更是拓展了古典与现代相融合之歌路，文艺创新如同科技，形式是其一，但不能或缺的还是内涵与品质。 听娜塔莎的歌恰如开着一辆闪亮的跨界车，在阳光透过树林的瞬间，流畅地穿过了一段段弯道，在晚风轻拂的田野旁、在回家的灯火里，你甚至想着是否该停留片刻，欣赏这不知从何处飘来的天籁之音…
- @阳光的芝麻：新的女神～取代了凯瑟琳在我心中的位置…凯瑟琳颜值可以…但是论唱功还是和娜塔莎不是一个级别…
- @开心玫瑰(用音乐装点生活 20...)：天籁之音
- @ろ( 拥抱虾米音乐，谢幕了，...)：专辑【Amour~阿穆尔(风流韵事)】
- @忧伤的老鼠(我想说三句话，这一句也算...)：
- @大喵(不要自我设限.....)：⛳️
- @ろ( 拥抱虾米音乐，谢幕了，...)：专辑【Amour~爱情】作品14首 Natasha Marsh~娜塔莎
- @天一阁(王三运李老八袁先隆全部疯...)：