by Jonathan Widran
In his 1996 review of the indie film Caught, movie critic Rex Reed paid the ultimate compliment to trumpeter Chris Botti -- who wrote the score and whose horn graced the soundtrack -- by comparing the young upstart's smoky style to that of a young Chet Baker. Botti has since gone on to great success in smooth jazz by combining a laid-back demeanor with attitude-filled grooves and picture-perfect melodies. Legendary composer John Barry -- whose resumé runs from Born Free to Dances With Wolves and, more jazzily, Body Heat -- loved director Willard Carroll's idea of lacing the soundtrack to the thought-provoking, multi-generational relationship film Playing by Heart with a handful of 1956 Baker quartet originals. Botti was an obvious choice when Barry chose to extend that vibe into the orchestral score, and the haunting album cover -- featuring a pensive Barry between Botti and a young Baker, both holding their horns, over a black background -- perfectly epitomizes the passing of the generational torch. The opening tune &Remembering Chet& captures the essence of the whole album; Botti's balmy trumpet sound wafts over Lee Musiker's elegant piano meditation as the orchestra breezes in and out of the background. Unfortunately, there's not a whole lot of rhythmic variation as the tracks progress. The classic, smooth, delicately bittersweet tones of Baker (on &Tenderly,& &You Go to My Head,& and &These Foolish Things& are interspersed between the Botti tunes, which creates a unique flow and shows a delicate contrast between the Baker's low tone and Botti's slightly higher pitch. Arranged this way, it's almost like listening to a one-of-a-kind lesson between legendary mentor and a student primed to carry on his legacy.