by Ned Raggett
Some older fans looked askance at Lightbulb Sun, feeling it was verging on overt commercialism (and admittedly, the near power ballad solo on &Where We Would Be& is a bit odd!). Then again, given Wilson's own explorations of avant-garde pop with No-Man, who's to say why a slightly more radio-friendly stance can't work? &Shesmovedon& may have been a single, but there's no question who wrote and performed it -- the elegant cascade of backing vocals on the chorus shows that much. Certainly Wilson hasn't turned into Max Martin or anything -- it's still very much Porcupine Tree, in its lyrical turns of phrase and general sense of exploration. One of the best tracks on the album is the brilliantly titled &Four Chords That Made a Million,& a barbed cut on some unnamed &emperor in new clothes& beset by a &moron with a cheque book.& The lead riff is a majestic hit of flange and feedback, while the hints of sitar and Indian percussion give the song even more attractive heft. But there's a definite bent towards calmer art pop throughout Lightbulb Sun -- those who preferred the sheer surge of Stupid Dream will find this album tamer in comparison. Still, it's hard to resist the beautiful, understated tension about a fractured friendship or relationship on &Feel So Low& or the gentle, string-touched roll and build of &The Rest Will Flow,& flat out two of Wilson's best tunes anywhere. Those who prefer the lengthy explorations won't be disappointed, though -- &Hatesong& unfolds its sharp message over eight minutes and then the string-swept, slow time explosion of &Russia on Ice& over 13. Slyest title of the bunch -- &Last Chance to Leave the Planet Earth Before It Is Recycled,& which samples the videotape made by the leader of the Heaven's Gate cult before its mass suicide in 1997.