Buxtehude: Complete Organ Music
- 艺人
- Dieterich Buxtehude
- 语种
- 其他
- 厂牌
- Brilliant Classics
- 发行时间
- 2012年11月13日
- 专辑类别
- 录音室专辑
专辑介绍
The music of Dietrich Buxtehude has gained increased recognition and popularity over the last few years, not in the least due to the invaluable work of pioneers like Ton Koopman (Complete Buxtehude Edition) and others.The great Johann Sebastian Bach valued his music highly, and considered him one of the most important composers before him (and from whom he learned the most!).
After his successful issue of Buxtehude’s Complete Harpsichord Works (Brilliant Classics 94312),“Thoroughly imaginative and engaging”(Fanfare), “Uberzeugend und überraschend” Klassik.com), Italian Simone Stella plays these works on historical organs in Italy.
Excellent liner notes by the artist himself.
Buxtehude’s organ music is not only a fascinating precursor of his great admirer J.S. Bach but a body of work full of energy and beauty in its own right, a pinnacle of the early-Baroque Protestant aesthetic. Strict and florid counterpoint, lying at the centre of Bach’s style, is less important here; rather we can hear vibrant and directly illustrative responses to the texts which lie behind the chorales and instrumental versions of canticles such as the Magnificat and Te Deum. The toccatas and fugues are generally shorter and punchier than the mature Bach’s examples, and overall solemnity is generally eschewed in favour of exuberant virtuosity.
These characteristics fit well the mastery of Simone Stella, whose 3CD set of Buxtehude’s harpsichord music (BC 94312) has already proved him a doughty advocate of the composer. As BBC Music Magazine remarked, “here we have an Italian eager to touch base with his inner Teuton, as Stella sets well-ordered lucidity above unfettered flamboyance. Indeed, he sometimes misses the edgy danger Koopman brings to Buxtehude's boldest strokes, but he's an unfailingly intelligent and revealing guide to a body of work that cries out to be better known.”
The same is gratifyingly true of the new set, recorded on a bright and authentically tuned modern Italian instrument which nonetheless can aspire to the colours of the Danish organs on which Buxtehude plied his trade. There are only two other modern recordings available of the complete organ music, and both are fullprice.
最新简评（共5条）
- @攻壳(Cheytac m200)：-athleticism. In the choral fantasy Wie schon leuchtet der Morgenstern each line is extensively varied separately; Auf meinen lieben Gott combines a dance suite (the Allemande with a double) and a set of variations on the chorale.
- @攻壳(Cheytac m200)：Both of the present two suites (which in places show French influence – and not only in their vestiges of style brise) contain a pair of sarabandes. French, too, is the ornate line of the A minor Aria, a sarabande with a couple of variations (themselves varied on repeat) that end in energetic
- @攻壳(Cheytac m200)：Fugal writing is also exemplified here in a sparkling A minor Canzonetta and in two other works, each of which in fact comprises three connected fugues, the central one of the C major Canzona being a gigue.
- @麦丘：Simone Stella（生于1981年） 意大利羽管键琴&管风琴师 他在厂牌<OnClassical >下录制的大部分唱片被<Brilliant Classics >所发行 除了 Buxtehude 他还录有巴洛克时期作曲家 G F Handel & G Böhm & J A Reincken 等人的作品
- @ophelia✿(drowned.)：无损转320K