Beethoven: Symphonie No. 7
- 艺人
- Carlos Kleiber
- 语种
- 其他
- 厂牌
- Orfeo
- 发行时间
- 2006年02月28日
- 专辑类别
- 录音室专辑
专辑介绍
卡洛斯-克莱伯指挥巴伐利亚州立乐团录制的现场版贝多芬第七交响曲。克莱伯指挥过至少三次第七交响曲，分别由维也纳爱乐，荷兰皇家大会堂乐团和巴伐利亚州立乐团演出。（最后一次是在他的私人音乐会上，未出版CD，无法确定。）每次都会给听众带来不同的感受。这张第七交响曲由于突出的弦乐部分，速度比其他几次要快，因此也被听众叫做圆舞曲版第七交响曲。
Bavarian State Orchestra/ Carlos Kleiber
Live Recording 3 May 1982
One of the most exciting, yet eccentric, conductors of the last 50 years, Carlos Kleiber, who died in 2004 aged 74, led performances of symphonic music and opera that will never be forgotten by those who heard them. Primarily a recluse, he could only be persuaded into the public arena, at least during the last 20 years, by the combination of a momentous event, long rehearsal times and a huge fee. He took 34 rehearsals for his first performance of Berg's Wozzeck in Munich, and 17 for a Covent Garden La Bohème. Herbert von Karajan once commented: &He only conducts when the fridge is empty.&
At the height of his fame, Carlos Kleiber could work with any orchestra and in any opera house he wanted under whatever conditions he chose, with a limitless number of rehearsals. And yet he made increasingly infrequent use of the lavish offers that he received. If he was particularly keen to conduct, as he was in Ljubljana, he would do so for nothing. While other conductors set up entire media empires and were at their happiest when simultaneously holding the post of principal conductor in three different places, Kleiber became increasingly obsessed by the uniqueness of the musical event. His fanaticism in the rehearsal room was notorious. He demanded from himself and from others a degree of dedication that went beyond what was possible. Unforgettable performances rewarded this effort. The white-hot intensity and spontaneity
of his conducting led not just to benchmark performances but often left the impression that the works he conducted were being created at the moment of their performance.
热门评论
- @Clementine：都说维也纳的那个更好，可我还是比较喜欢这一张……这个管弦乐团，整体的节奏与速度简直逆天，酒神的狂欢神马的，果然还是要这样的演奏啊，在我这个圆舞曲控看来~
最新简评（共75条）
- @Dicky777Wang( 㐂...)：
- @欣荣(Music - fore...)：贝多芬来自天堂。他的音乐把我们带去天堂，那里有无限的激情，那里有欢乐，悲伤，生命，死亡。那里有一切的一切。
- @朝花夕拾530609：贝大师是酒神，听他的音乐，就好比在痛赢他的美酒，享受生活，卡洛斯克莱伯是我最喜欢的指挥大师之一
- @姜英明：⭐️
- @agulhas(Quid pro quo...)：全场放飞版，颤栗的喜悦啊您呐～
- @杰特：小Kleiber的独树一帜的舞蹈性在贝7中简直就是酒神的狂舞。最喜欢的指挥演绎最喜爱的贝7 绝对推荐。他每张贝7都值得推荐，哪怕是最后一场音乐会还是有。
- @Isaac(古典音乐、双簧管爱好者。...)：无与伦比
- @生于四月：228
- @薇尔利特方程(I gcónaí)：Am I the only person here who prefers Wilhelm Furtwängler's Beethoven 7? Listen to his opening manoeuvre of the first movement and the second movement, you shall discover a brand new interpretation of this symphony.
- @薇尔利特方程(I gcónaí)：Carlos Kleiber's performance is indeed very Dionysian, especially in his rendering of the faster paragraphs... Yet Kleiber is too lenient in dealing with the tension of the piece, rushing through the parts where contrast in volume and speed is needed to establish the symphonic structure.