by John Serba
With Figure Number Five, Soilwork continues on the melodic, streamlined path forged on previous platter Natural Born Chaos (which marked a departure from the hectic, At the Gates-style death/thrash of the group's first three releases). Releasing Figure Number Five barely a year after its predecessor, the Swedes apparently struck while the iron was hot, riding the inspired wave of Chaos' songwriting into an even more hook-heavy realm. Immediately noticeable is the conciseness of the songs -- only one surpasses the four-minute mark, the band trimming any unnecessary fat from the arrangements and scoring with several strong, hard jabs and a couple of jaw-busting uppercuts (i.e., &Rejection Role& and &Figure Number Five,& the album's most aggressive track that proves Soilwork, despite an increasing emphasis on melody, is still cut from post-death metal cloth), &Light the Torch,& and &Brickwalker,& although the power ballad (!) &Departure Plan& doesn't quite convince. Vocalist Björn &Speed& Strid sounds more natural transitioning between the thrashy howl of the verses and the clean singing during the choruses, and the neo-prog keyboards mingle well with the carefully constructed riffs, which are compellingly thick and aggressive without being too busy or distracting from the song. Figure Number Five is a thoroughly fresh and exciting record, growing more powerful with each listen, even if death metal purists will bristle at the band's lack of &brutality.& Point being, with each successive album, Soilwork is getting even more difficult to categorize, and therefore rising above any genre limitations. (Initial pressings of Figure Number Five came packaged with a bonus CD consisting of six raw, thrash-heavy, and difficult-to-listen-to demo recordings from 1997, which serve to show a seedling of the band's ambition and further illustrate how much the band had progressed over six years.)