by Greg Prato
There isn't exactly a plethora of metal bands in the early 21st century that are eager to mix indie rock sounds into their noise, which makes the Savannah, GA-based quartet Baroness stand out from the overcrowded metallic pack. On their first-ever full-length release (and first for the Relapse label), 2007's The Red Album, the riffs are quite reminiscent of guitar-driven, post-hardcore bands out of the mid-'90s (a style which would later serve as the basis for emo bands several years later), while singer/guitarist John Baizley only knows one way to vocalize: holler, holler, holler. Think a more metallic Fugazi or Sunny Day Real Estate, and you're not far off from the brand of rock & roll that Baroness specializes in, as evidenced by such standouts as "The Birthing" and "Wanderlust." The Red Album shows that Baroness is one of a select number of acts that manage to be both mathematical and melodic at the same time.