Joint Happening
- 艺人
- Mushroom
- 语种
- 英语
- 厂牌
- Hyena
- 发行时间
- 2007年06月26日
- 专辑类别
- 录音室专辑
专辑介绍
by Thom Jurek
The notion and spirit of musical collaboration by established artists is such that different parties bring what strengths they have to offer to a given project, and then allow for their own abilities and preconceptions to be stretched -- sometimes to the breaking point -- by the rest of those involved. This is even truer when considering a project that involves improvisation. Restraint, nuance, taste, and openness are all prerequisites. Joint Happening is a shining example of collaboration at its best. San Francisco's Mushroom -- drummer Pat Thomas; bassist Ned Doherty, and keyboardist Matt Henry Cunitz -- have, since 1997 explored the outer reaches of what it means to improvise as well as to compose. Based on their recordings, Mushroom doesn't fit comfortably into jazz, rock, or even "experimental" niches or ghettos. While it's obvious they have been deeply influenced by the early electric recordings of Miles Davis, they have also listened to numerous King Crimson, Hawkwind, and soul-jazz dates to boot. Their recordings -- live and studio -- are steeped in whatever place they happen to find themselves in at any given time. Add to this mix musical iconoclast and innovator Eddie Gale. His two recordings on the Blue Note imprint in the late '60s -- Ghetto Music and Black Rhythm Happening -- were fire brands that moved jazz both free and soul into new territories and remained out of print until 2003 when Water Records issued them on CD. During that time DJs and beat kids sought rare copies out everywhere in dirty hands' dollar bins and flea markets, and whispered about them in near hushed tones. Before that, Gale graced two other landmark recordings as a sideman: Cecil Taylor's Unit Structures and Larry Young's Lawrence of Newark. What we get when we put these two creative forces together is a long, labyrinthine dream that enters the slipstreams of jazz, rock, groove, and experimental music. The dynamics on this set are controlled carefully, not so much by direction but by acute listening and a distinct respect for the feel and movement of any particular piece. Most of the pieces are long, ranging between seven and 19 minutes. If this sounds a bit like "jamming," it's because it is. Not in the sense where every player has to show what he knows, but in the sense that this group of players, augmented by some other stellar players, like guitarists Tim Plowman and Erik Pearson (the latter also plays saxophone and flute) and percussionists David Brandt and Dave Mihaly (who joined in the fun in various incarnations on these tracks) become something other than the sum of their individual parts. The quiet dreamy textures of "Peace" finds a Mellotron, marimba and bass slowly ushering in a ... Read More...
最新简评（共31条）
- @直到世界尽头(超脱)：。
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- @马尔多罗在哪(我还没想好要写什么...)：
- @無耳芳壹( )：、
- @弗洛 Flo Light：很多年前买过一张CD
- @一边猜火车(我还没想好要写什么...)：迷雾森林
- @有所追求_老声音(狂热独立音乐咖，杂食的文...)：听过留
- @痣.(B I R T H M ...)：
- @未知生物：.
- @未知生物：这个封面好像色彩饱和度更高了。