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艺人
Earthless
语种
英语
厂牌
Tee Pee
发行时间
2007年05月08日
专辑类别
录音室专辑

专辑介绍

by Thom Jurek

Just like the drug, all of the acid-drenched stoner rock in the early 21st century can become a bit of a drag. The Japanese have their own take on such things to keep them fresh, but often American bands turn on the down low, so slow and so deep in the riff department that the notion of what an electric guitar can do when played with complete inspiration backed by a symbiotic rhythm section evades them. Enter San Diego's Earthless, who blew pretty much everybody's mind with their debut full-length Sonic Prayer in 2005. They jam as Jimi Hendrix jammed, as Cream and Free and even Humble Pie jammed when they took it outside. But Earthless are always outside. They literally enter the sonic maelstrom of inspiration and free flowing, molten, deeply emotional energy where most felt it was at its peak, and they go up from there, moving into dusted rock realms not even dreamed of by the current jam band crew, the stoners or the droners, or even the heaviest of the doomers. They could hang with the most progressive of the metal bands around if they wanted to, but it's not in their credo. They don't see how long they can extend a chord; instead they see how many notes can fit into one, and how groove-oriented a tripped-out riff can get.

They know the other side: these guys belong more with the Japanese bands, with Stars or Acid Mothers Temple, when they choose to find the groove to take them there instead of pure power. But there is no lack of power on Rhythms from a Cosmic Sky, the first Earthless effort for Tee Pee. The CD is beautifully packaged in a four-color, mini-LP gatefold. And the music? Beginning with "Godspeed" (a four-part suite lasting 20 minutes) you are on a ride into the unknown spaces. Chaos, feedback, slamming snares and shimmering cymbals (courtesy of drummer Ruby Mars, who used to be Rocket from the Crypt's Mario Rubalcaba) adorn the first three minutes, so one thinks he is on board with Kawabata Makoto or Musica Transionic. Then it begins. In earnest. The sheer rock power domination, the blues, the boogie, the Sabbathian power riffs, the speed and classic power metal, and the freedom to go wherever the hell one pleases are all woven in. There are song structures and they take over for a few minutes before guitarist Isaiah Mitchell lets his freak flag start to fly into the stratosphere, and as bassist Mike Eginton pushes the riff into the loud Mars double- and triple-times the band. Mitchell is an astonishing guitarist who takes his time and lets fourth gear move into fifth, sixth, seventh, and then pushes the throttle way past the redline mark.... Read More...


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