Harry Potter and the Prisoner of Azkaban (Music From And Inspired By The Motion Picture) 哈利波特与阿兹卡班的囚徒
- 艺人
- John Williams
- 语种
- 其他
- 厂牌
- Nonesuch Records
- 发行时间
- 2004年06月02日
- 专辑类别
- 原声带、影视音乐
专辑介绍
威廉斯与导演柯朗在《哈利波特3：阿兹卡班的囚徒》制片过程中做出两大音乐创作上的改变，首先是选择以儿童唱诗班的合声欢迎霍格华兹的学童返校，然后将‘哈利波特’主题乐章之"Hedwig's Theme"融入莎翁名剧‘马克白’的论述精神，来个主题乐章的变装游戏，而乐章中弥漫的中古世纪色彩就成为彩绘‘哈利波特’的奇幻魔法世界的基调，然后再将此一主题基调分别透过19世纪义大利歌舞/音乐剧创作家Gioacchino Rossini的音乐形式、欣喜若狂的big band爵士音调与20世纪的当代音乐。
年过70的威廉斯忽然变成一个淘气的大孩子，大玩古典音乐与当代音乐的奇想游戏，无论是加重黑色成分的主题变装乐章"Lumos! (Hedwig's Theme)"、惊奇且华丽的"Aunt Marge's Waltz"、big band爵士乐风疯狂着魔的"The Knight Bus"、借重儿童合声表现紧张气氛的"Double Trouble"颇有凌驾‘外星人’中E.T.飞越月亮情节乐章神采的"Buckbeak's Flight"、笛声悠然神伤的田园小品乐章"A Window To The Past"，大师可是卯起来玩得尽兴，而大师当然也没忘记秀秀精湛的鼓/管号乐/铃声追逐戏法(尤以第8轨、第16轨最为出色)，更别提编曲形式的交叠、变化了。
John Williams, when working within the realms of science fiction or fantasy, somehow manages to convey the same level of magic and whimsy inherent in Tchaikovsky's Dance of the Sugar Plum Fairy. For the first two Harry Potter films he employed an instantly memorable theme augmented by a series of elegant yet uninspired action motifs that while effortless were, like the films themselves, merely adequate. Harry Potter and the Prisoner of Azkaban finds the Oscar-winning composer swelled with a creative giddiness that hasn't been present for some time, resulting in a piece of work that's both fully realized and endlessly unpredictable. Beginning with the familiar celesta cue that launches each installment, Williams seems poised to deliver a solid reworking of the previous scores, but that sentiment is abruptly quelled by the jazzy, big-band one-two punch of "Aunt Margie's Waltz" and "The Knight Bus" — the latter borrows liberally from his outstanding Mancini-esque.work on Catch Me If You Can. What follows is an intoxicating fusion of medieval-meets-Rossini-meets-Arvo Pärt mayhem that recalls his Close Encounters of the Third Kind.heyday. Director Alfonso Cuaron's youthful enthusiasm has had an effect on Williams, and nowhere is that more apparent than on "Double Trouble," a devious choral piece cleverly built around the prose of Shakespeare's Macbeth and devilishly sung by the London Oratory School Schola Children's Choir. It's this melody, culled from bits and pieces of "Hedwig's Theme" from The Sorcerer's Stone, that permeates the entire score. Williams has a deep understanding of the orchestra, and his love of woodwinds is on glorious display throughout the work's entirety, but they never overplay — as was often the case in the previous two films — even the thunderous Kodo-style tympanis that introduce the Hypogriff "Buckbeak" are merely exclamation points announcing the arrival of one of the composer's most beautiful melodies. The Prisoner of Azkaban is thought by many to be the finest book in the series, and it would seem that both the director and the composer agree. Like Cuaron and Rowling, Williams meets his characters — children especially — on common ground, allowing them to laugh, suffer, fail, and succeed on their own terms. He may be the author and director's emotional conduit, but he's a master storyteller as well.
热门评论
- @Hghgh：哈三是电影系列中最有意思的一部，配乐最好的一部，演员最美的一部。
- @灵活的黄豆芽：应该是哈利波特系列最好听的一部！分数那么低可能是因为当年前两部那种明快色彩的儿童冒险电影突然转型成暗黑成长系的哥特风，那时候大家一时之间有些接受不过来。现在重新审视真心觉得第三部是最有深度的一部。剧情和配乐都是七部里最出彩的
- @没错，就是我：第三部才是整个哈波系列OST的精髓！ 脑海里所有关于这部系列电影的记忆就是第一首那灵动飞舞的BGM，不能再经典惹。
最新简评（共79条）
- @涂诗煜(我还没想好要写什么...)：最帅的一集。最喜欢一和三。
- @涛：好
- @抽风的电风扇(Hmm)：小时候觉得这部我都看不懂，后来长发重温几次，，第三部特别棒，解密侦探，超级棒，音乐也棒，还是全员颜值高峰。
- @asch(爱的记忆-我心中的名字)：- =封面好像不太一样··， 已入盘~
- @Drarry(高举我的德哈大旗，我德殿...)：这个合唱印象特别深
- @未知生物：是我最喜欢的一部
- @未知生物：虽然没看过原著但是第三部电影个人认为拍的最好最完美的，当时还幻想过要是之后的几部都给这个阿方索来拍该多好，然而拍的好没用，发行方只看票房回报。第四部开始下坡路，至于后四部拍的简直像屎一样。。。
- @我永生不死(沉迷工作无法自拔……)：似乎《阿兹卡班的囚徒》被普遍认为是系列电影中音乐最好的一作？事实正是如此，积极向上的成长主旋律，奇幻的冒险，魔法世界黑暗的一面，各种戏谑、逗趣，完美融合在一起
- @金属夹心：唯一没找伏地魔麻烦的一年
- @树树23(C)：不和谐地打破这个100 哈哈。 再惭愧地说一句其实从来么有看过 听过 读过关于小哈利的任何东西。