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艺人
Soundtrack
语种
英语
厂牌
Blue Note Records
发行时间
2007年11月26日
专辑类别
原声带、影视音乐

专辑介绍

墨镜导演王家卫第一部英文电影

Jazz乐才女诺拉·琼斯电影处女作

《蓝莓之夜》根据王家卫早年在香港拍摄过的一个短片改编而成,诺拉·琼斯扮演的爱吃蓝莓派的年轻女孩子,她在一段横越美国的旅程中遇到许多不同的人,试图寻找生命与爱情的真谛,并在不知不觉中和裘德·洛扮演的杂货店老板陷入了爱河……

伊丽莎白(诺拉·琼斯饰)被脚踏两条船的男友抛弃之后又惊又怒不知所措。结束了长达五年之久的关系,伊丽莎白每天晚上都去咖啡馆里去吃蓝莓派,而咖啡馆老板杰瑞米(裘德·洛饰)却一直暗暗仰慕她。

杰瑞米对伊丽莎白的不幸表现得无比同情,太急于伸出援助之手,几乎已经超越朋友之交的界限。最终,这段邂逅以一个令观者屏神息气的吻告一段落:伊丽莎白在杰瑞米面前沉沉睡去,嘴角还遗有他亲制的奶油残余。他不能抗拒,俯下面孔,轻轻吻去奶油。这一动作再清楚不过地表白了他的感情,也为伊丽莎白随后在旅程中给他陆续寄去明信片保持交流埋下伏笔。

接下来,伊丽莎白到了田纳西州的孟菲斯市。她白天在餐馆作女招待,夜晚则到酒吧工作。一位酗酒成瘾的警察亚尼(大卫·斯特雷泽恩饰)经常流连这两处场所,逐渐和她成了好友,常常向她倾倒苦水。在和亚尼的交往中,伊丽莎白目睹了亚尼和妻子苏的婚姻一步步走向死亡。苏毫无宗教信仰,放荡不羁,从不讳言自己的红杏出墙。不过,最终苏也向伊丽莎白袒露了对自己婚姻的真实感受。

然后伊丽莎白到了内华达州,在赌场作女招待,认识了莱斯莉(娜塔丽·波特曼饰)。莱斯莉是个年轻女孩,染着一头银发,不知天高地厚,所知一切来自她的赌徒父亲,以能看透牌桌上对手心思而自傲。她教训伊丽莎白,看人不要光看表面。电影的下半部分,反复出现几个女人驾着莱斯莉的捷豹跑车飞驰而过的画面。最后,阅历大增的伊丽莎白回到纽约,给自己的感情苦旅暂时划上一个中止符。

Smooth Jazz moods with Norah Jones, Cassandra Willson, Ry Cooder and more from brand new amazing movie a Wong Kar Wai (2046, In the Mood for Love).

Starring Natalie Portman, Rachel Weisz, Jude Law, Tim Roth and Norah Jones!

Cinephiles will know My Blueberry Nights as Hong Kong director Wong Kar-wai's first American movie; music fans will know it as Norah Jones' first movie, period. Not only does she play one of the leads, but she also contributes a new song, "The Story," to the soundtrack. Backed by brushed drums, a stand-up bass, and a cool piano, Jones is at her jazziest and sultriest, oozing a sly honky-tonk, come-hither sensibility. Ry Cooder's score is represented by a trio of tracks; the best, "Ely Nevada," is a spooky little thing that feels lifted from a David Lynch movie, but Cooder's spectacular (and varied) guitar work is in evidence on all three cues. Two other instrumentals are the acoustic, wistful "Pajaros," by Gustavo Santaolalla (Brokeback Mountain), and Shigeru Umebayashi's "Yumeji’s Theme," already in the director's In the Mood for Love. Fittingly, for a romantic road movie that takes place partly on the ghostly, highly symbolic Route 66, the rest of the album is made up of songs that represent very American sounds. Cat Power (who has a cameo in the film) brings two tunes from her Memphis album, The Greatest, and they coexist nicely next to Otis Redding's smoldering "Try a Little Tenderness," Cassandra Wilson's eerie cover of Neil Young's "Harvest Moon," and Mavis Staples' powerful take on "Eyes on the Prize."


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