9.2分（11人评分）

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5条评论

共9首歌曲

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艺人

John Barbirolli

语种

其他

厂牌

BBC Legends

发行时间

2001年11月20日

专辑类别

现场专辑

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专辑介绍

According to Thomas Beecham – never over-generous with compliments when it came to his colleagues – Barbirolli made the Hallé into ‘the finest chamber orchestra in the country’. Listening to these performances – and especially the 1966 Siegfried Idyll (poorly recorded though it is) – you can hear for yourself what Beecham meant. Warmly expressive as it is, there’s also an intimate, confidential quality, as though one were listening to an ensemble of soloists communing with one another as well as with their audience (Wagner originally wrote the work for 15 instruments). It’s a deeply touching performance, and if you can put up with the distant, faintly acidic sound, as convincing as any other in the current catalogue – and a good antidote to the impressive but fatally suave Karajan Vienna Philharmonic account on DG. Neither the Mozart nor the Beethoven has quite that large-chamber-group quality, but again there’s the expressive warmth and openness, the rich, rounded orchestral tone, and the unmistakable sense that this was a conductor who, on the whole, worked by persuasion rather than coercion. Barbirolli’s Beethoven Seventh is far in spirit from Carlos Kleiber’s legendary DG version – too far for my liking. Lovely though the Barbirolli is, it feels too comfortable after the furious driving energy and taut rhythmic muscle of the Kleiber. But the Mozart is pure delight. It’s hard to imagine anyone who isn’t a period-instrument fundamentalist being able to resist it. Compelling and impressive as John Eliot Gardiner’s Philips recording with the English Baroque Soloists is, put it beside Barbirolli and you’ll see at once what it lacks. -- Stephen Johnson

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最新简评（共5条）

• @树袋玄(horn player)：这个贝七速度偏慢听的有些理解不太了
• @hedaolan：莫比贝演得好
• @迪亚(再见虾米，感谢虾米，音乐...)：标题中文笔误：贝多芬第35号应为莫扎特第35号交响曲 cheerless11 (nothing at a...) 2018-08-07 14:46 都快四年了都没改正过来 也没有网友能修改专辑或歌曲信息错误的入口 虾米这方面实在做得太烂了。
• @迪亚(再见虾米，感谢虾米，音乐...)：最爱的贝七前三甲