by Eduardo Rivadavia
A huge throwback to the '70s in every sense (looks, sound, etc.), Chicago's Trouble had little hope of fitting into the various mid-'80s heavy metal scenes. Instead the band were busy updating the genre's prehistoric doom teachings for the new decade, beginning with their eponymous debut, later re-baptized Psalm 9. First track, &The Tempter,& immediately set the revisionist tone: opening with a plodding, monolithic riff which only grudgingly allowed the song to break into its chugging gallop, while clearly setting Trouble apart from their heroes in Black Sabbath with its pro-God lyrics. Except for this basic but crucial difference of perspective, issues of Heaven and Hell still pervaded much of the album, and ranged from obvious near-sermonizing like &Revelation (Life or Death)& and &Fall of Lucifer,& to rather more discreet material such as &Assassin& and &Bastards Will Pay.& And even though there were consistently strong combination of elegant melodies and thunderous riffs throughout, some of Psalm 9's biggest surprises were saved for last, as the instrumental &Endtime& prefaced a straight-up reading of the Bible passage that lends the album its name, and, finally, a faithful cover of Cream's &Tales of Brave Ulysses.& Don't let all of these understandable English influences confuse you though, for Psalm 9 was undoubtedly one of the opening salvos of a truly American-bred doom style. [The CD was also released with a bonus DVD featuring live footage and band interviews.]