Symphonie Pour Le Jour Où Brûleront Les Cités
- 艺人
- Art Zoyd
- 语种
- 英语
- 厂牌
- Atem
- 发行时间
- 1981年01月01日
- 专辑类别
- 录音室专辑
专辑介绍
by François Couture In 1976, a self-released LP by Art Zoyd appeared in Belgian record stores. At the time, nobody knew Symphonie Pour le Jour où Brûleront les Cités ( Symphony for the Day Cities Will Burn ) would be the first of many albums from this strange chamber progressive rock outfit. All the ingredients of Art Zoyd's sound for its first decade are here: unusual acoustic instrumentation for a rock band (violin, cello, piano, and trumpet, plus guitar, bass, and percussion), dark and mysterious atmospheres recalling France's Magma and foretelling Univers Zero (formed by Art Zoyd percussionist Daniel Denis ), and complex pieces owing as much to contemporary classical as to progressive rock. The lineup for this first offering included Patricia Dallio (piano), Alain Eckert (guitar, vocals), Gérard Hourbette (violin), Jean-Pierre Soarez (trumpet, percussion), and Thierry Zaboïtzeff (bass, cello, vocals). The album is split in two. First is "Symphonie Pour le Jour où Brûleront les Cités," in three parts, an apocalyptic work opening with mad laughter, a vision of the end of the world with percussion clashing, frenetic violin motifs, and the trumpet from Judgment Day. Part one, Brigades Spéciales, is the most striking moment of the album -- the band will only reach this kind of intensity again on Phase IV . Then comes "Deux Images de la Cité Imbécile" ("Two Pictures of the Stupid City"), two movements leaning more toward some warped chamber rock conception of the burlesque, especially on Scènes de Carnaval. For a first exposition, Symphonie Pour le Jour où Brûleront les Cités was as impressive as could be and earned the band an immediate cult following. Moreover, thanks to the acoustic instrumentation, the album has aged very well. Symphonie Pour le Jour où Brûleront les Cités was reissued in 1999 on a two-CD set together with Musique Pour l'Odyssée and Génération Sans Futur .
Recorded in Hennuyères (Belgium), July 1980
Cutting at Translab
Illustration: "L'Archéologie du silence"
This recording is a new version of the Art Zoyd's album "Symphonies pour le jour oû bruleront les cités" (Production Michel Besset 001) which came out in 1976.
Atem Records c/o Stand By Distribution - 18 rue de la Salle - 54000 Nancy
(C)(P) 1981
Bass, Vocals, Mixed By – Thierry Zaboitzeff
Guitar – Alain Eckert
Illustration – Pierre Starodoubsky
Layout – Antoine Lengo
Mastered By [Cutting] – Gérard Gustave
Piano – Patricia Dallio
Producer – Art Zoyd
Producer, Layout – Gérard Nguyen
Recorded By, Mixed By – Eric Faes
Saxophone [Saxes] – Gilles Renard
Trumpet [Si B], Mixed By – Jean-Pierre Soarez
Violin – Frank Cardon*
Violin, Viola, Mixed By – Gérard Hourbette
最新简评（共4条）
- @EWMN柴木寒(虾米音乐陪葬品)：。
- @静默的狗：[带墨镜笑]
- @布鲁斯白(神棍就是神棍)：神转
- @大贵哦(一条血淋淋的大腿正在敲门)：☜✪☞