Liszt: Piano Concertos Nos. 1 & 2; Mephisto Waltz; Fantasy on La Clochette; Transcendental Study No. 11 李斯特：第一、第二钢琴协奏曲、梅菲斯托圆舞曲、钟声幻想曲、超技练习曲第十一号
- 艺人
- John Ogdon
- 语种
- 其他
- 厂牌
- BBC Legends
- 发行时间
- 2002年01月07日
- 专辑类别
- 现场专辑
专辑介绍
The sad, tragic story of John Ogdon's life is a known tale but his interpretative prowess lives on in his magnificent musical interpretations of the most difficult music.
Liszt's Concertos for Piano are both barnstormers and here they receive the full Ogdon treatment, both permeated with astonishing virtuosity. The accompaniments by Constantin Silvestri and Sir Colin Davis are models of exemplary communication and the BBC recordings are astonishingly vivid for their day, especially the Bournemouth one.
The solo pieces rae no less exhilarating especially the magnificent 'Clochette' Fantasy, truly superb on all counts. I also enjoyed Ogdon's vivid and demonic interpretation of the Mephisto Waltz which is fairly brimful with outlandish and excruciating virtuosity. The recordings have come up pretty well for their age and this is another superb testament to John Ogdon, the superhero pianist who lives on in the greatness of music.
Copyright © 2002, Gerald Fenech
最新简评（共14条）
- @肖茵：
- @Ф左眼(Ф左眼)：喜欢
- @anchoretic：2015年度最佳备选
- @攻壳(Cheytac m200)：-is super-charged, telling us that for ogdon vivid recreation rather than safety always came first. An invaluable issue with excellent sound and presentation!'
- @攻壳(Cheytac m200)：-and if there Are rough edges and approximations(3'36", eg)such momentary lapses are swept from mind by a con espressione in first's quasi adagio where ogdon sings every fibre of his being and by final pages like he's being chased by demon from hell. The orchestra hang on good too. The performance
- @攻壳(Cheytac m200)：-suggesting a pianist for whom every performance Was a first one. Nothing is set in stone but rather fired by wild and teeming imaginative brio that can shift and alter in a second. The many cadenzas and flourishes which spangle both concertos sound as if new-minted, conjured on the spot, and if
- @攻壳(Cheytac m200)：'Dating from1967-71 before tragically overcome by illness and confusion, is ogdon playjng with all characteristics unseparable from his genius. His improvisatory daring, thrills, spills and poetry. Dangerously but hypnotically impulsive, he recreates everything with white-hot intensity, always
- @坏袋鼠：这张录音不好，弹得也一般，虽然说现在大家都以发掘被埋没的大师为乐趣，但是李斯特一钢协对比同公司出的李赫特版本，奥格登的高音刺耳，低音混，刻意追求主题间对比，把琴砸得轰轰的，阻碍了音乐的表达，并不是什么高明的处理，就是个文献 dd 2016-04-04 12:51 哇，好厉害好专业的评论 来自iPhone客户端 李斯特2016 2017-01-02 09:02 你脑子呢，现场录音和录音棚里录的能一样吗 来自android客户端 坏袋鼠 2017-01-02 09:48 李斯特2016说： 现场录音好的比比皆是，甚至有些人现场比唱片还好。前者参考Elly Ney，后者参考乌戈尔斯基。 来自android客户端 rach (混子，喷子，黑子) 2020-06-22 22:19 里赫特的版本，谁也比不过啊;弹的是很奇葩但说是文献太过分了吧 来自android客户端
- @林森(我还没想好要写什么...)：全是好东西.......
- @Kzimzim(KZ粉)：非常值得一听。