Mozart: Don Giovanni 莫扎特：唐璜
- 艺人
- Wilhelm Furtwängler
- 语种
- 意大利语
- 厂牌
- Orfeo
- 发行时间
- 2005年01月10日
- 专辑类别
- 现场专辑
专辑介绍
Don Giovanni: Cesare Siepi
Donna Elvira: Elisabeth Schwarzkopf
Il Commendatore: Rafaele Arié
Donna Anna: Elisabeth Grümmer
Don Ottavio: Anton Dermota
Leporello: Otto Edelmann
Zerlina: Erna Berger
Masetto: Walter Berry
Chor der Wiener Staatsoper
Wiener Philharmoniker
Wilhelm Furtwängler
BBC Music Magazine
May 2008
“Furtwängler’s Don Giovanni is fraught with suspense”
Gramophone Classical Music Guide
2010
“This 1953 version is probably the most satisfying we have of Furtwängler's Giovannis in the Salzburg series. 1950 brought together a more exciting cast (Gobbi in the title-role, Welitsch as Anna, Seefried as Zerlina and Kunz as Leporello) but is not so well recorded; 1954 has the same cast as '53, with the exception of Deszö Ernster who sings a disastrously wobbly Commendatore, but it doesn't lift as this does. The 'constants' in all three casts are Elisabeth Schwarzkopf and Anton Dermota, both of them unequivocal assets and consistent in their excellence over all three years. Cesare Siepi was a Giovanni to see as well as hear: his opulent, sonorous tone is welcome, less so its bassweighted character and his graceless way with the Serenade. Otto Edelmann's Leporello flashes vividly into existence as a character every so often and is always well sung. Walter Berry is festival-casting as Masetto, and Raffaële Arié, if not ideally empyrean, is more steady than Greindl (1950) who is firmness itself compared with Ernster (1954).
Elisabeth Grümmer's 'Non mi dir' is a comparable high spot, the slow speed probably working for her in the second half but posing a fearsome challenge in the first. This, however, is much her best singing; elsewhere she is often tremulous and even shrill. Of Erna Berger's 52-year-old Zerlina a listener might well suppose her a talented ingénue, and 'Vedrai, carino' goes particularly well at Furtwängler's comfortable andante.
And in the end it all comes back to Furtwängler.
Certainly this is Mozart viewed with fore-knowledge of Beethoven, whereas the modern approach prefers to look as from the 18th-century inheritance. Those who love the opera more than a particular conception of it will love this performance.”
BBC Music Magazine
May 2005
*****
“This is an immensely and immediately impressive performance… Furtwängler's interpretation of Mozart's equivocal opera is fraught with suspense, menace and… tension. Tempos are often on the slow side, but the movement towards a climax is so inevitable that there is no hint of longueurs. And the cast throughout in this 1953 Salzburg Festival performance is on the highest level, down to the Masetto of the young Walter Berry, sounding as rebellious as Figaro at being bossed around by a nobleman. Cesare Siepi is an infinitely seductive Don, and his victims, actual or desired, are not only stellar but deeply inside their roles.”
最新简评（共5条）
- @洋葱头( )：最喜欢的一版唐璜
- @爱丽丝威震天(I'd love to ...)：B站有这场的视频 Don Quixote 2017-05-19 21:17 那个是第二年的现场录像，但实际上这两个和1954年的另一个现场录音的非常棒 来自android客户端
- @lhb(音乐能醉人？！)：ok
- @ophelia✿(drowned.)：无损转320K.