Mahler: Symphony No. 4
- 艺人
- Leonard Bernstein
- 语种
- 英语
- 厂牌
- Deutsche Grammophon
- 发行时间
- 1988年01月31日
- 专辑类别
- 录音室专辑
专辑介绍
Orchestra：Concertgebouworkest Amsterdam
Boy Soprano：Helmut Wittek
Leonard Bernsteins earlier recording of this symphony for Sony was, and remains, one of the best. This new one, however, really is something special. As in his recording of the First with this orchestra, Bernsteins tempos have markedly speeded up, especially in the slow movement. He seems to have really discovered the secret of the musics essential innocence, and he now knows exactly when to make a point and when to just let the music speak naturally. The use of a boy soprano in the finale is unique but not unexpected. Mahler himself thought about it but opted for an adult soprano because he believed that this would prove less limiting to future performances of the work. He was right, of course, but so is Bernstein for letting us hear the composers original thoughts in such a pure and enjoyable form. --David Hurwitz, Amazon
最新简评（共11条）
- @长青(榕树长青)：
- @Flemming：喜欢
- @独风冷雨(阳光淌过手心天空笑了笑！)：喜欢~_~
- @echo球花鹿(我还没想好要写什么...)：刚刚在b站看完了视频，过来重新感受下
- @答应(暂无签名~)：第四乐章，与众不同。用童声唱。
- @月夜吾飞行：转自《CD天书》： 伯恩斯坦此马勒“第四”录音空前未有的创举，是把终章原属女高音独唱的《少年魔术号角》曲词改用童声独唱。伯恩斯坦由托尔策儿童合唱团里挑选了维特克，果然一鸣惊人。这乐章所写的，是一个小孩子心中幻想之天堂景色。马勒要求女高音的音色，一位童高音正好符合所需的条件。维特克所表现清纯至诚、天真无邪的风格和童高音控制声线不用颤音（vibrato）的童声特性，在此发挥得淋漓尽致。整体上，伯恩斯坦的演绎显出对音乐的爱与珍惜，每一段每一句，都蕴藏着几十年演绎马勒的经验，充满人性及生命力量。
- @forlan sean：喜欢
- @Alberto466：第四章《整个天国的欢乐属于我们》：Boy Soprano是Helmut Wittek。 起用boy soprano，本就是马勒的原意。由此可见伯恩斯坦対马勒的诚挚。这专辑亦被收录到《伯恩斯坦的马勒全集～DG版》（见Leonard Bernstein的其他热门专辑）。不容错过。
- @未知生物(语言的尽头便是音乐)：伯恩斯坦的马4
- @pierrot(pierrot)：Mahler