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共13首歌曲

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艺人
Veronica Falls
语种
英语
厂牌
Bella Union
发行时间
2013年02月04日
专辑类别
录音室专辑

专辑介绍

在09年Veronica Falls出现在了一些乐迷眼前,并得到了NME和卫报等媒体关注,NME曾称他们为最性感的Lo-Fi乐队。他们的音乐有英国80年代中后期C86革命的影子,却融入了完全属于他们自己的味道。

很少乐队能像Veronica Falls那样能掌握得住80年代中的经典Lo-Fi英伦独立流行的感觉。他们的末世意境把C86时期的音乐风格与浪漫,悲剧,和能量结合得天衣无缝。

Veronica Falls 2013年2月回归,带来了第二张专辑《Waiting for Something to Happen》。

VERONICA FALLS return with their sophomore record 'Waiting For Something To Happen' on Bella Union. Recorded with Rory Attwell (Male Bonding, The Vaccines), 'Waiting For Something to Happen' is a bold and deliciously assured leap forward.

You may have had them tagged as goth-tinged pop fantasists, but with their much anticipated sophomore album "Waiting For Something to Happen", Veronica Fallseasily shrug off any notions of a difficult second album to create something that is easily more polished, more affecting, and more enduring than their peers would dream of making, and stake their claim as one of the most gloriously unpredictable and invaluable bands the UK has right now.

Recorded with Rory Attwell (Male Bonding, The Vaccines), "Waiting For Something to Happen" is a bold and deliciously assured leap forward which sees the quartet of Roxanne Clifford, Patrick Doyle, James Hoare and Marion Herbain easily throw off the tongue in cheek references to ghostly romances and suicides to elegantly distil the essence of an aimless twentysomething existence into a set of immaculately conceived and perfectly wrought pop songs.

Indeed, the emotional throughline, from the title down, is one of slowly coming to terms with the process of growing up and eventually learning to face adult responsibility, of leaving behind the safe haven of "driving late at night, I'll let you listen to the music you like...everything's alright" (as they sing on the dreamy, dewy-eyed first teaser "Teenage"), and then searching for a "shooting star to point me in the right direction" ("Shooting Star"). Far from retreading the playful atmosphere of the debut, the band here mine a much more rich, emotionally resonant vein, be it weariness with dead end social scenes ("So Tired"), or the fear of your peers leaving you behind before you're ready ("Everybody's Changing").

Musically too, this album sees the band evolve into a more poised and confident pop entity, the melodies bolder and songs more muscular, as epitomised on spellbinding album opener "Tell Me". So there are deliciously askew pop belters in the form of "Buried Alive" and "Everybody's Changing", but there are also achingly tender moments present too, from the touching love song "Broken Toy" ("I am broken too, a broken toy like you"), to the gentle reverie "Daniel", which strips the track to its barest essentials - shimmering guitar lines and perfectly harmonised vocals sighing, "nobody needs to know what we know, nobody needs to go where we go" to perfectly heart rending effect.

Even more excitingly, after a warmly received headline show at the 100 Club last month, the band will be playing an intimate gig in a secret East London venue. Tickets will be competition and guest list only, so head to www.facebook.com/veronicafalls for details of how to win.


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