by Stephen Thomas Erlewine
La Bouche probably will never match the twin peaks of "Sweet Dreams" and "Be My Lover," the two singles that ruled Eurodance clubs during 1995 and 1996, but that doesn't mean that their subsequent recordings are worthless. They may have run out ideas, of course -- S.O.S. essentially recycles their first two albums, Sweet Dreams and Moment of Love -- but there's an unabashed glee to their performances that makes La Bouche's third album an enjoyable dance record, even with its slow spots.