by Jason Damas
Headroom established Bleu as a Boston sensation, but his &Somebody Else& on the blockbuster soundtrack to Spiderman introduced him to more mainstream audiences and paved the way for his second record, Redhead. While it is the proper follow-up to Headroom, Redhead also includes re-recorded versions of four cuts from that album, along with &Somebody Else& and nine new tracks. The most noticeable change from the debut is evident in the execution: The subtle electronic elements on Headroom, along with some of that disc's charming quirkiness, have been replaced with a muscular, straightforward mainstream rock sound. At first this can be a little disconcerting, since Redhead feels like a slightly more anonymous work, but the quality of the new cuts saves the entire affair. The Andy Sturmer co-penned cut &Could Be Worse& sounds exactly like you'd imagine -- Bleu and Jellyfish mixed together, with an end product something like Supertramp. Storming power pop like &Ursula Major, Ursula Minor& sits comfortably next to gorgeous ballads like &We'll Do It All Again.& Bleu does occasionally let his more maudlin, dramatic vocal sensibilities run wild here, making him at times sound like a rockier Rufus Wainwright, but even the biggest departures aren't shockingly different from Headroom. Redhead is just a pop record, but it feels like a manifesto, playing smoothly from end to end. Fans of modern guitar pop and singer/songwriters can't miss with this.