by Thom Jurek
Notes from the Underground is almost the journal of a forgotten man; one whose every pillar has crumbled into dust, with the exception of his humanity. Listening to this set is like going through a recently discovered journal of a poet who has simply vanished into the ether. It's full of intimacies most people would write down in code, if at all, to keep from being discovered. Elliott Murphy is backed by a hot band led by guitarist Olivier Durand and featuring Kenny Margolis on organs, pianos, strings, and accordion, with bassist Laurent Pardo, and drummer Alan Fatras with percussionist Florent Barbier adding some extra texture and bottom end dimension. Murphy's son Gaspard guests on guitar on "Frankenstein's Daughter." The reason for mentioning this band at all is that they are so intrinsic to the intimate atmosphere on this set. Murphy's voice has gotten lower with time, and he's obviously looked back to his early inspirations as both he, and they, have aged. Bob Dylan and Leonard Cohen are obvious influences, but Murphy also revisits himself some years on. "And General Robert E. Lee," which opens the set, goes right back to his Night Lights album with its blurry flurry of images, minor chords, and strutting electric and acoustic guitars, with Durand's slide and Margolis' upright piano adding the close-to-the-rails desperation Murphy has always done so well. It's a tune populated with ghosts and archetypes, from the seeming subject in the title to James Cagney a "bad princess," Charlie Chaplin, Jules Verne, Captain Hook and "no Peter Pan," as well as a "dead pharaoh," and "Telstar." Yeah. Murphy pulls it off without seeming the least bit silly. All of the memory evoked in this mid-tempo rocker suggests that these archetypes are wound as tightly in the protagonist's mind and heart as the lover he is speaking to. ...