by Jonathan Widran
Many smooth jazz artists view song titles as an afterthought, so it's refreshing to see guitarist Chuck Loeb play a romantic connect-the-dots with the names of the nine originals on The Moon, the Stars and the Setting Sun. Sure, it's a little corny to follow the sweet little tale strung together by ellipses (i.e. &...the stars...above us...shine on...while we speak...of love and the setting sun&) but it gives us a glimpse into Loeb's mindset of this sharply played, generally laid-back project. Sometimes, the stroll is melancholy. Over floating synth washes, he generates a crying effect via lengthy acoustic notes, which are echoed by the subdued Sanborn-esque touches of Nelson Rangell (on the swaying James Taylor cover &Don't Let Me Be Lonely Tonight&) and Andy Snitzer. Aware that listeners probably already know the sad lyrics, Loeb cries out over gentle synth drum beats on Boyz II Men's &Water Runs Dry.& One of Loeb's trademarks is his ensemble-minded approach, and deferring to a lively two-minute Bob James keyboard solo on the Brazilian-flavored piece makes perfect sense; the disc offers the same sort of gently rhythmic flavors as a James-Earl Klugh collaboration.