by Tom Demalon
With producer Steve Lillywhite at the helm, Scotland's Big Country managed to deliver earnest, socially conscious arena anthems in a similar vein to U2 and the Alarm. The twist was their trademark bagpipe sound, achieved through the use of E-Bow. The unique sound of &In a Big Country& garnered the band considerable attention and a Top 20 single in the U.S. The Crossing, however, is an album whose richness goes beyond the single. The more subdued &Chance& is more sparse and its personal lyrics are every bit as heartfelt as the more populist-inclined anthems like the wonderful &The Storm& or the thundering &Fields of Fire.& The lyrics are straightforward and, despite the grand themes of many of the tracks, manage to steer clear of being overly pretentious. While this album earned the band a gold record, Big Country's sound and image (reinforced by the members tartan, checked shirts) resulted in them being tagged a novelty and they never duplicated their initial success in America.