(不足10人评分)
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共19首歌曲
by Richie Unterberger
As this compilation doesn't have either of Don Fardon's chart hits ("Indian Reservation" and "Belfast Boy"), it can't be considered a best-of, though its 18 tracks do span the 1967-1969 period during which he made his most notable solo recordings. Combining seven tracks from his rare 1968 German LP Love Story of Don Fardon, a few late-'60s singles, and a few previously unissued songs, the intention seems to be to emphasize the singer's most credible work (the two absent chart singles are referred to as "novelty pop hits" on the back cover). If this is his best stuff, it certainly doesn't make a very compelling argument for Fardon as an artist worthy of much attention. It has that odd blend of brassy pop, soul, and showbizzy belting found in many British late-'60s pop recordings that have largely escaped critical respect or scrutinization, though they're not as well-produced or full of commercial hooks as, say, what Tom Jones was doing. Fardon was a good singer, but the material is simply not that memorable, and the arrangements on much of the up-tempo soul stuff are burdened with stiff rhythms falling somewhere twixt ska and oompah, layered with enough fuzz guitar and burbling organ to sound trendy. There are some fair songs here and there, like "I'm Alive," where Fardon sounds like he's reaching for something more authentic, and the waltzing "Dreaming Room," which could have fit onto the soundtrack of a late-'60s spy flick. For the best work of both Fardon and his producer (and occasional songwriter) Miki Dallon, however, his prior recordings with British Invasion band the Sorrows tower over this motley lot.