by Hal Horowitz
Gallagher's second album for Chrysalis -- and last with his longstanding trio of Lou Martin (keyboards), Rod De'Ath (drums) and Gerry McAvoy (bass) -- was a milestone in his career. Although Calling Card was produced by Deep Purple bassist Roger Glover and not surprisingly contained some of his most powerfully driving rockers, tracks like the acoustic &Barley & Grape Rag& and the jazzy, soulful, finger snapping title cut -- a perennial concert favorite -- found the Irish rocker not only exploring other musical paths, but also caught him on one of his most consistent songwriting streaks ever. Even &Do You Read Me,& the muscular opening track, is a remarkably stripped-down affair that adds subtle synths to the rugged blues rock that was Gallagher's claim to fame. While &Moonchild,& &Country Mile,& and &Secret Agent& displayed catchy hooks, engaging riffs, and raging guitar work (the latter adds a touch of Deep Purple's Jon Lord-styled organ to the proceedings), it's the elegant ballad &I'll Admit You're Gone& that shifts the guitarist into calmer waters and proves his melodic talent was just as cutting on quieter tunes. And it's a crime that the gorgeous &Edged in Blue,& certainly one of the artist's saddest and most beautiful pop melodies, was overlooked in his catalog. The 1999 reissue sports track-by-track and first person liner notes from Gallagher's brother Donal, crisp remastered sound, and two additional songs not included on previous versions, one of which, &Public Enemy (B-Girl Version),& later appeared on the Photo-Finish album in an inferior performance to this. Arguably Rory Gallagher's finest studio effort, it was among his best and most varied batch of songs, and it is a perfect place for the curious to start their collection as well as an essential disc showing Gallagher at the peak of his powers.