by Kathleen C. Fennessy
It's hard to imagine how God couldn't possibly dig Holly Golightly's sixth groovy full-length, but to each his own (then again, Blind Willie McTell's &God Don't Like It& actually refers to moonshine). The former Headcoatee and band are in fine fettle on these 12 tracks of twangy British Invasion pop with an R&B twist. Things get off to an auspicious start with rollicking, reverb-drenched original, &I Hear You,& and come to a honey of a conclusion with one of those surprising covers that have become Golightly's stock in trade -- in this case, a virtually unrecognizable surf guitar version of Bill Withers' &Use Me.& She also gives &Pretty Good Love& (aka, &That's a Pretty Good Love,& a song mostly closely associated with blues belter Big Maybelle) a slow, seductive &Fever&-like spin, but wrote the rest of the material herself, with the exception of Dan Melchior's &Can't Stand to See Your Face& (and duets with him on the harmonica-driven &Feel Something&).