by Ken Dryden
Benny Golson has made many excellent recordings over the decades, but One Day, Forever is in a class by itself. Golson was inspired to write the striking title track following the death of Art Farmer's wife Mechthilde, and he later added a poignant lyric. Shirley Horn's exquisite vocal on this lush ballad is backed by a string section of 12 cellos plus a flute and a pair of French horns conducted by the leader; it also includes Golson's soulful tenor sax and a first-rate rhythm section of Mulgrew Miller, Ron Carter, and Carl Allen. Probably to achieve the exact sound Golson had in mind, Farmer temporarily sets down the flumpet (a custom-made hybrid of the trumpet and flügelhorn that he played almost exclusively from 1992 until his death) and adds his trumpet to six tracks, including the snappy &Blue Walk&; he plays his muted horn in a strutting remake of Golson's well-known &Killer Joe& and rekindles the old Jazztet fires with Golson and trombonist Curtis Fuller on the driving &Blues Alley.& The rhythm section supporting this group includes pianist Geoff Keezer (who had previously worked with Farmer), bassist Dwayne Burno, and drummer Joe Farnsworth. The final track, &On Gossamer Wings,& is a classical piece composed by Golson and performed by pianist Lara Downes; this intriguing work for solo piano provides a emotional conclusion to a wide-ranging and highly recommended CD.