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艺人
Taragana Pyjarama
语种
英语
厂牌
Kompakt
发行时间
2012年06月18日
专辑类别
录音室专辑

专辑介绍

Young Nick Eriksen wasn‘t exactly what you would call a wunderkind, recalling his past as the slightly matured producer he is today: "I played in some bands, but everyone was way better than me at string instruments, so I started playing drums instead. Two years in I became really bored... My teacher wanted us to learn notes and stuff. I hated it and started just slacking...“ Only to immediatly start producing his own music after finishing school, he should also add. Nick went on to tour Europe, remixed the likes of Delphic, Delorean or Miami Horror and graced John Talabot‘s vibrant Hivern label. His breakthrough debut EP as Taragana Pyjarama was released in 2011 on the esteemed Fools House imprint. That‘s also where Michael Mayer (among others like James Holden, Trentemøller or Brodinski) found and charted "Ocean“, the radiant third track from the EP almost made to measure for the tastes of Kompakt‘s labelhead. Insider media like Pitchfork, Tsugi Mag,or Gaffa quickly got wind of the unfolding hype and called the upcoming hippetronics icon "one to watch“:

Which takes us to the present, where Kompakt prepares to release "Tipped Bowls", Taragana Pyjarama‘s highly anticipated debut album. From its happy ending disguised as a beautifully orchestrated intro ("Four Legged") to the surprising final track ("Terror Paradise", ironically featuring the most soothing alarm sounds ever), this record never backs off from a tangly path through the deep Scandinavian woods, which coincidentally seem to be in quite a tropical mood. Just listen to "Lo Ng", "Growing Forehead" or the lead single „Ballibat“ and you‘ll be immersed in a richly vegetated environment caught in permanent evolution. You‘ll find virtual wolfes howling joyously at a brightly colored moon and many a track begging to be played backwards for a beamy message of love. With a bit of patience, you can even hear the riddims of a lost city‘s marching band drumming away: it‘s probably made up by a bunch of freaky sylvan ghosts just like the one on the record‘s cover... and you know how much those like to dance.


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