Opera Proibita 禁忌的歌剧
- 艺人
- Cecilia Bartoli
- 语种
- 意大利语
- 厂牌
- DECCA
- 发行时间
- 2005年09月12日
- 专辑类别
- 录音室专辑
专辑介绍
Cecilia Bartoli's new CD features a collection of music that could not be heard in her native Rome at the start of the 18th century due to Papal censorship. Theaters, the Church felt, were places of evil and corruption and operas led people to immorality. But some music-loving senior members of the priesthood asked composers to write oratorios and cantatas--indeed, operas without staging, essentially--for their own private entertainment. Call it what you will, the music is sensational--by turns virtuosic, gentle, and playful--and always expressive: just right, it seems, for Cecilia Bartoli's temperament. The opening aria on the CD, a call for peace in the name of Jesus, is, in fact, a dazzling martial air with trumpets blaring and the voice going through an amazing array of coloratura fireworks. It shows Bartoli at her most aggressive. The listener is practically hurled back from the speakers when she begins, with rapid-fire runs and trills and cascades of notes, all perfectly in place. Showy arias are offset by several tender ones (&Lascia la spina& from Handel's Il trionfo del Tempo e del Disinganno returns in the composer's Rinaldo, four years later, as the now-famous &Lascia ch'io pianga&), and Bartoli exhibits again, her many, many levels of pianissimo and sensitive phrasing. Marc Minkowski and his Musiciens are just right for this repertoire and back Bartoli up superbly. This is a fascinating project, rivetingly performed and presented. --Robert Levine
The world's best-selling female classical artist, mezzo-soprano Cecilia Bartoli, offers a brand-new recording of some of the most intriguing fruits of the Baroque era: selections from long-unheard cantatas and oratorios by Caldara, Scarlatti and Handel. Researched and reassembled by Bartoli and musicologist Claudio Osele, this heretofore neglected music is revealed in its original light, in a breathtaking album that is filled with world premieres. Opera Proibita brings Bartoli together for the first time on Decca with the premiere early-music ensemble, Les Musiciens du Louvre, under the direction of Marc Minkowski. 2005.
热门评论
- @Alessandra：《禁忌的歌剧》 在巴洛克时期，罗马天主教廷认为歌剧艺术会带来情欲和邪恶，腐化人心，让凡人远离天国。因此，作曲家常常写宗教题材的清唱剧 (Oratorio) 和康塔塔 (Cantata) ，作为歌剧的替代。 这张《禁忌的歌剧》是亨德尔、斯卡拉蒂、卡尔达拉谱写的歌剧咏叹调。当年在罗马是禁止上演的。
最新简评（共16条）
- @莫莫酱(古典音乐也流行)：bravo
- @Ariel (@Riel)：朋友推荐，非常有激情的西班牙歌剧
- @包法利夫人0( )：买到实体专辑后对每首歌的内容就都了解了，原来只是纯听音乐和唱腔，现在可以感受到歌曲里蕴含的情感。芭神的专辑里都会有对每首歌的介绍，还有这张专辑里歌曲的历史背景的介绍，虽然我也看不太懂（因为太专业了），但还是极好的，可以了解个大概。
- @独风冷雨(阳光淌过手心天空笑了笑！)：喜欢~_~
- @五台山拾石(摩诃萨怛多般怛啰)：听得都要哭了，人性的声音。
- @zhenzhen(与人为善说好话，从善如做)：聆听到天才的歌声，幸福......
- @植莲：现在才想起来芭姐这张也是巴洛克....赶紧补上
- @色朵朵-：I love Opera！
- @小笼包露露：抚慰心灵的天籁
- @monanpop：....