by Jon O'Brien
Emerging from the same '50s revivalist scene that spawned Top 20 albums from the Baseballs and the Puppini Sisters, five-piece vocal group the Overtones have been described as the Take That of doo wop. Whether you believe their fairytale rags-to-riches background or not (the quintet of painters and decorators were apparently signed by Sony after a talent scout overheard them singing during a tea break in London's Oxford Street), their modern take on the old-fashioned genre is certainly an intriguing proposition. While their clean-cut boy band image may indicate teen-friendly bubblegum pop, their debut album, Good Ol' Fashioned Love, packed with soaring harmonies which far belie their late twenties/early thirties age range, instead successfully re-creates the vintage R&B of the likes of
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