Hochzeit
- 艺人
- Subway to Sally
- 语种
- 英语
- 厂牌
- Ariola Records
- 发行时间
- 1999年01月01日
- 专辑类别
- 录音室专辑
专辑介绍
by Dave Sleger
Subway to Sally's fifth album, Hochzeit, strays slightly from the formula that made both Foppt Den Dämon and Bannkreis such unique recordings. While this album retains the heavy metal tendencies of those two albums, it includes only sparing use of acoustic and traditional instruments, a defining trait of those two previous offerings. But despite Hochzeit's deficiencies, Subway to Sally still mixes it up more than the average headbangers. How many metal bands work lute, oboe, violin, flute, and multi-tiered vocal harmonies into their work? This album doesn't totally neglect the acoustic element as two of the band's guitarists, Simon and Bodenski, play acoustic guitars exclusively; however, the prevailing crunch of guitarist Ingo Hampf's playing is most noticeable and reflective of this album's overall sound. Frau Schmidt's contribution on the violin seems to be stifled a bit as well. Still, metal bands at large could learn from this German outfit how to create interesting and colorful music within a genre that relies much too heavily on musical clichés, predictable posing, and other tired gimmicks.
最新简评（共7条）
- @缺只徐行(去克洛里吧)：啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊啊
- @JACK SUN(Metal is for...)：jjj
- @维京荣耀：旋律控
- @ST(老夫已光腚很多年)：st
- @ST(老夫已光腚很多年)：原盘听的最多的一张
- @黄色潜水艇(微笑，挥手，再见。)：专辑中各个歌曲的情绪是逐渐加强和深化的，而透过乐曲的慢慢升华和沉淀，最终达到高潮。前四首歌之中是徘徊在狂妄的放肆而嚣张的乐调和严肃沉重的曲式之间，时时为带来听众带来迥异奇特的感受。第五首《Minne》明显是有意编排的一个转折，节奏变慢，而且比较抒情，主唱充分展示了他的独特唱腔，歌曲大大削弱了声乐的部分而加强了民族器乐的发挥，成为一个有趣的过渡。
- @mozartcat(音乐就是鸟的羽毛)：听着像一初音乐剧