by Thom Jurek
Wynonna Judd's excellent 2003 outing What the World Needs Now Is Love was steeped in rock & roll and country tunes done in her inimitable fashion. It reflected Judd's uncanny ability to sing new music with the passion, style, and finesse of the old gems. Country and pop radio being what they are -- namely, paranoid frightened defective computers with human faces -- all but ignored it. The radio and video channel worlds reflect the very definition of insanity: doing the same thing repeatedly and expecting different results. Rather than trying something different by showcasing real quality and individualism, they become narrower and more paranoid with each passing year as they program recycled crap. Update 2009: Wynonna Judd is back with Sing: Chapter 1, a collection of standards and cover tunes that have inspired her throughout her life and career. And it's a stunner. Produced by Brent Maher and Don Potter, this set contains 12 tracks that range from country music standards to blues tunes, R&B nuggets, and American pop radio classics by the masters. The opener is a reading of the prewar 1932 finger-poppin' swinger "That's How Rhythm Was Born" (wherein Judd and Vicki Hampton do their own Andrews Sisters on the backing chorus). Judd delivers it effortlessly with all the good time verve -- and a smoking Stéphane Grappelli-inspired violin solo by Fats Kaplan -- the original contained, but with a bit more sass. She counters this with a gorgeous, deeply emotional, string-laden version of Hank Williams' "I'm So Lonesome I Could Cry," that is as dramatic and darkly dreamy as ANYTHING k.d. lang ever attempted. ...