At the top of the American songwriter pantheon, one finds
George Gershwin and Cole Porter and Irving Berlin. But for
someone whose songs meant so much to the world of the swinging
sophisticate (just take a gander at any of Fred Astaire's
classic films with songs by Berlin), his songs were
surprisingly simple ?but no less charming. The comparison of
Berlin's songs to Astaire's dancing is made often, but the
best of their material ?"Cheek to Cheek," "Let's Face the
Music and Dance," "Top Hat, White Tie, and Tails," "Change
Partners" ?was beautifully simplistic and approachable but
revealed hidden subtleties and depths of technical mastery.
Ella Fitzgerald, no stranger to technical mastery herself,
made Berlin the subject of an early song book, circa 1958, and
found such riches that it became a two-LP set. The Very Best
of the Irving Berlin Song Book presents less than half of that
set, but does a good job of selecting the best material. Ella,
along with arranger Paul Weston and Verve head Norman Granz,
chose many songs that had not been popular, and would be
revelations only to vocal fans. Best of the songs here are
"Change Partners" and "Blue Skies," the latter with a surprise
scat opening by Ella, one of her best on record.