Go Away White
- 艺人
- Bauhaus
- 语种
- 英语
- 厂牌
- Bauhaus Music
- 发行时间
- 2008年03月03日
- 专辑类别
- 录音室专辑
专辑介绍
Recorded in 18 days, some tracks in one take, Bauhaus' fifth studio album proves that even a quarter-century's hiatus can't kill a great band, especially if it was undead to begin with. There's no trickery here apart from the sinister seduction of Peter Murphy's ever-deepening Transylvanian croon and the bare, live style makes the band's heirs even more apparent. There's PJ Harvey in David J's swamp-blues bass; Nirvana in the shrieking, submerged guitar of Daniel Ash. But the quartet doesn't compose or perform like elder statesmen: ''International Bullet Proof Talent'' and ''Endless Summer of the Damned'' are as spry and visceral as its first material. If the band had released a bunch of meandering albums during the past 25 years, you might call ''Go Away White'' a return to form. Instead, it picks up right where Bauhaus left off: a wet dream for original fans and a blast of recognition for the newly eye-lined. --Billboard
Product Description
It is virtually impossible to imagine the last 30 years of rock music without the influence of Bauhaus. They have inspired countless bands and have mesmerized the masses with their ability to be simultaneously sparse, dark, anthemic, and glam. With their new album, entitled Go Away White, Peter Murphy Daniel Ash, David J and Kevin Haskins have created an album as exciting and relevant as their earlier work. Echoes of Bauhaus have been heard in the work of their heirs and imitators for the past few decades and 25 years after their last studio release the band have returned with yet another undiluted glimpse into their world.
热门评论
- @RD：08年，哥特鼻祖Bauhaus成立三十年，四个大叔决意重组，结果搞出这样一张极其耐听的专辑Go Away White，09年，我在杭州文三路买到原碟，兴奋了好一阵，专辑的封面、音色、格调，都很简单，耐人寻味，返璞归真。今年元旦，广州草莓音乐节，中国最顶级的摇滚音乐人，重塑雕像的权利主唱华东接受采访的时候说，他是听Bauhaus长大的，那时候他骑着自行车在南京淘打口碟，每次都花一个下午甚至一整天，很快乐，拿音乐当回事儿的人才明白的那种快乐。
最新简评（共24条）
- @RD(人为容器，手传心意)：常听常新，这是一张伟大的唱片。如果说重塑的第一张唱片受Bauhaus 80年代作品影响是显而易见的，那么Bauhaus最后的一张专辑，也就是Go Away White，和重塑的第三张专辑之间，大约也有一些共性存在，这两张专辑都沉稳，都有一种挺冷峻、严谨的进行曲式的推进之感，Bauhaus忧郁一些，他们在为过去的post punk音乐掘坟；重塑则将post punk作为底色，而使用实体乐器去做电子乐，在编曲上雕琢，两只不再年轻的乐队，重塑尚且有时间向前走，只是不知Bauhaus去年重组之后，还能不能再出新歌……
- @村里唯一的重金属吉他大师：09年就听 11年过去了 依旧牛逼
- @熱浪20世紀：好听死了
- @未知生物：哇
- @AlwaysCold(stay away )：喜欢啊
- @_、品茗聽雪(素莲 淡菊 腊梅香)：
- @superbatman：俺是来看封面的。。。
- @黎森宁(我还没想好要写什么...)：挺好的
- @黎森宁(我还没想好要写什么...)：挺好的