Handel: Messiah (The 250th Anniversary Performance) 亨德尔：弥赛亚 (首演250周年纪念演出)
- 艺人
- Neville Marriner / George Malcom
- 语种
- 英语
- 厂牌
- Philips Classics
- 发行时间
- 1992年10月23日
- 专辑类别
- 录音室专辑
专辑介绍
by Blair Sanderson
The last quarter of the 20th century witnessed a surge of interest in early music and historically informed performances, and one of the Baroque masterpieces that benefitted the most was George Frederick Handel's Messiah, which virtually everyone involved with the movement for authentic period practice reinterpreted and recorded. Neville Marriner and his Academy of St. Martin-in-the-Fields recorded this engaging version of the popular oratorio in 1992 to commemorate the 250th anniversary of Handel's Dublin premiere, and the live performance is notable for its small orchestra and lean chorus, as well as for its revitalized rhythms, crisp sonorities, and spontaneous ornamentation. A streamlined Messiah is closer to Handel's original intentions than the gigantic post-Romantic versions presented by large choral societies and conventional symphony orchestras. Yet because Handel constantly made changes to Messiah and adapted it to changing ensembles and the needs of available vocal soloists, there is no established, final text that can be given an accurate Baroque performance. Marriner's clarification of lines and textures and his scholarly approach put his performance in the authenticist category, even though the Academy plays modern instruments and is not technically a period orchestra. To that end, Marriner's rendition is as close as many groups' performances, and despite the lack of Baroque instrumentation, it still convinces. The soloists are excellent in their embellishment of their arias, and their expressions are reassuringly familiar, though the standout is Anne Sofie von Otter, whose affecting singing is a highlight of this recording.
热门评论
- @染遍云霞看新绿：从《人类的群星闪耀时》看到了亨德尔创作弥赛亚的故事，于是来听一听。 发现第一首被陈奕迅演唱会开场用过，忽然很开心。
最新简评（共42条）
- @Alice(我还没想好要写什么...)：茨维格《人类群星闪耀时》讲述了亨德尔的《弥赛亚》，听来神圣仿佛来自天国。
- @真源(耳朵是心灵的阳台)：比彻姆之后，英国再无大师。就只剩下加迪纳、平诺克、马里纳等故弄玄虚之徒了。更严重的是，在英国留声机、唱片指南等的忽悠下，这帮人正在残害一代一代的乐迷。
- @ㅤψ(ㅤㅤㅤㅤ)：❤️
- @明镜止水(音乐比哲学有更高的启示—...)：亨德尔：弥赛亚 (首演250周年纪念演出)
- @一字一星辰：扼住命运的咽喉！亨德尔
- @瓯江月(若文明消失,惟有音乐值得...)：
- @蓊白(流萤断续光，一明一灭一尺...)：❤️❤️❤️
- @烟淡水云天(我还没想好要写什么...)：亨德尔
- @独风冷雨(阳光淌过手心天空笑了笑！)：喜欢~_~