Bach: The Well-tempered Clavier 巴赫：平均律钢琴曲集
- 艺人
- Vladimir Ashkenazy
- 语种
- 其他
- 厂牌
- DECCA
- 发行时间
- 2005年01月01日
- 专辑类别
- 录音室专辑
专辑介绍
Vladimir Ashkenazys increasingly rare solo-piano forays into the recording studio have yielded an unexpected windfall in the form of Bachs Well-Tempered Clavier. The pianists straightforward, intelligent, and vibrantly clear interpretations are a joy to hear, even when considering the virtues of modern-day Bach pianists like Koroliov (Tacet), Schiff (Decca), and Hewitt (Hyperion), or like-minded non-specialists such as David Korevaar (MSR). Indeed, Ashkenazy serves as an antidote to Daniel Barenboims recent pretentious, lily-gilding traversals. He eschews Glenn Goulds idiosyncrasies of tempo and phrasing, and proves more stylish than older, erstwhile Russian colleagues like Nikolayeva and Richter.
If Ashkenazy is less concerned than Schiff over ornamental niceties and terraced dynamics, he avoids the latters occasional precious moments (compare both in Book 1s G minor Prelude, for instance). Slower, more contemplative selections like Book 2s E major and Book 1s C-sharp minor, E-Flat/D-sharp minor, and B-flat minor Preludes and Fugues flow without fuss and emerge from Ashkenazys fingers with no interpretive agenda in sight. On the other hand, even a virtuoso of Ashkenazys caliber must have practiced Book 2 like crazy to give melodic cogency and textural variety to the toccata-like G major Prelude, or to so brilliantly clarify the G minor Fugues hard-to-untangle polyphony despite the unusually fast tempo. Also, at times an edge of danger betrays the pianists surface "normalcy", as in the hard-driven Book 2 F minor Fugue, or the Book 1 A major Fugue, with its upward, zigzagging lines boasting unusual nervous energy.
Deccas sonics are not especially warm or full-bodied when sampled alongside the Hewitt and Koroliov editions, yet theyre clear and detailed all the same. Furthermore, Decca offers more economic incentive among full-priced choices by squeezing all 48 Preludes and Fugues onto three discs as opposed to the standard four--or even the five that Barenboim, Michael Levinas, and Rosalyn Tureck (her 1970s BBC cycle) require. In all, this is a most distinct and significant addition to Vladimir Ashkenazys wide-ranging piano discography. [4/17/2006]
--Jed Distler, ClassicsToday.com
热门评论
- @周：每次听巴赫都有新意，因为每位音乐家心中都有自己的巴赫。巴赫是关乎灵魂的音乐，无论你陷落多深、结痂多厚、或者忘却多久，它都会渐渐照亮你心灵最深、最空幻、最微妙处的那些点。这套巴赫非常棒
- @汪庆成：令人平静愉悦的精美音乐
- @松子lai：肖邦：《平均律钢琴曲集》是音乐的全部和终结
最新简评（共44条）
- @大喵(不要自我设限.....)：
- @小月月(来来去去，似水流年)：大调是明朗中透着睿智，小调是忧郁中带着沉思。
- @Christina_Doremi：最佳版本！
- @aurora(O)：
- @小雪雪猫猫：
- @錳鎷君(Eine kosmisc...)：怎麼放這放著停了呢
- @xxl(我还没想好要写什么...)：嗯
- @YXH(我还没想好要写什么)：好
- @明镜止水(音乐比哲学有更高的启示—...)：巴赫：十二平均律钢琴曲集/阿什肯纳齐
- @瓯江月(若文明消失,惟有音乐值得...)：精美，古典溶入现代情愫与想像。好专辑！