by Jonathan Widran
The legendary conguero may be known as one of the modern kings of all jazz that's Latin, but he's also an old-school soul junkie at heart, having grown up in southern California in the '60s; while he was learning to play tropical Latin music professionally, his radio was full of classic Stax and Motown. Increasingly aware that classic R&B songs adapt well to the jazzy cha cha tempos that drive his ensemble, Sanchez evolves beautifully on the new collection into a style of Latin soul that's truly compelling. The opening track, the funky, brass-driven cha cha &One Mint Julep,& features not only the organ arpeggios of Billy Preston, but also two of the horn guys from the James Brown band, Fred Wesley and Pee Wee Ellis. &JB's Strut& funks out with the horniest of them, but Brown is paid even greater homage on blues/soul/big-band/Latin renderings of three of his tunes, &Saints and Sinners,& &Out of Sight& (sung with a tongue-in-cheek Brown bravura by Sanchez), and &Conmigo.& And while he's at it, Sanchez invites two legendary soul men to make things even more authentic. Sam Moore has a blast with the sassy &Hitch It to the Horse,& while Ray Charles adds his whimsical touch to the salsified blues tune &Mary Ann.& The remaining question is, just where is the Godfather of Soul himself? Hopefully, he's proud of one of the most unique tributes to him ever fashioned.