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共11首歌曲

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艺人
Ibrahim Ferrer
语种
西班牙语
厂牌
Nonesuch Records
发行时间
1999年06月08日
专辑类别
录音室专辑

专辑介绍

This collection of 11 songs by the then 72-year-old, golden voice of Cuban music, Ibrahim Ferrer, features the rhythm section of the Buena Vista Social Club and the acclaimed pianist Rubén González. Ibrahim Ferrer’s debut album, produced in Havana by Ry Cooder, features an extraordinary stylistic range of Cuban music, from the nostalgic 1950s American big-band style, to ballads with an idiosyncratic and imaginative guitar accompaniment, to rich country-style son.

The tunes &Herido de Sombras,& &Nuestra Ultima Cita,& and &Aquellos Ojos Verdes& feature the classic ballad style augmented by string and saxophone sections and the female vocal quartet Gema 4. The original Coasters saxophonist Gil Bernard makes a special guest appearance on &Aquellos Ojos Verdes.&

&Que Bueno Baila Usted& and &Como Fue& are inspired by Beny Moré’s classic Banda Gigante (big band) style and feature Ibrahim’s honeyed vocals over a band featuring four trumpets, three trombones, and saxophone. Beny Moré’s original arranger, Generoso Jiménez, 80-years-old at the time of the recording, made a special appearance at Havana’s famed EGREM studios to arrange and conduct these two tracks.

The album also features Ibrahim in collaborations with two of Cuba’s leading female vocalists: &Silencio& is an intimate, spellbinding duet with Omara Portuondo, and &Marieta& is a classic Cuban country-style son duet with Teresita García Caturla. &Mami Me Gustó& is a compelling interpretation of Arsenio Rodríguez’s powerful 1950s son. Former Los Zafiros guitarist Manuel Galbán contributes his unique electric guitar sound on several tracks and Ry Cooder makes his own signature mark on guitar.

Ibrahim Ferrer, who had not been well known for many years in Cuba, emerged as one of the discoveries of the Buena Vista sessions in 1997. With this solo debut, Ferrer, always known as a “musician’s musician” for his naturally gentle and unassuming manner, was given the chance to display his great talent in both the rural Santiago and urban Havana traditions.

Ferrer’s debut recording was crafted by the same team that produced the original Buena Vista Social Club record: Ry Cooder (producer), Nick Gold (executive producer), and Jerry Boys (sound engineer). This album has the same lush, open sound and acoustic quality.

MUSICIANS

Ibrahim Ferrer, vocals

Ruben Gonzalez, piano

Manuel Galban, electric guitar

Orlando ‘Cachaito’ Lopez, bass

Amadito Valdez, timbales

Angel Terry, congas

Roberto Garcia, bongos, guiro

Carlos Gonzalez, bongos, cowbell

Alberto ‘Virgilio’ Valdez, maracas

Ibrahim Ferrer Jr., clave

Ry Cooder, electric guitar

Joachim Cooder, udu drum, dumbek & drums

Chorus Vocals: Pio Leyvam Manuel ‘Puntillita’ Licea, Jose Antonio Rodriguez, Lazaro Villa

Teresa Garcia Caturla, vocals (3)

Omara Portuondo, vocals (8)

Jose Antonio Rodriguez, vocals (7)

Vocal group (2, 6): Michelle Alderete Espigul, Estela Guzman Vega Laura Flores Hernandez, Odette Telleria Orduna

Gil Bernal, tenor sax (4, 9)

Lazaro Ordonez Enriquez, violin (1)

Eliades Ochoa, guitar (3)

Papi Oviedo, tres (5)

Barbarito Torres, laud (4, 9)

Trumpets: Octavio Calderon, Carmelo Gonzalez, Manuel ‘El Guajiro’ Mirabal, Yanko Piscaco Pichardo, Alejandro Perez Pichardo, Daniel Ramos

Trombones: Jorge Leal, Jesus ‘Aguaje’ Ramos, Alberto Munoz

Saxophones: Carlo Montenegro Ruiz (alto), Jose Ramirez Nurque (alto), Antonio Francisco Jimenez Sanchez (tenor), Braulio Hernandez Rodriguez (tenor), Adrian Corzo Gonzalez (baritone)

1st Violin: Julian Corrales Subidam Alyoth Marichal Castillo, Pedro Depestre Gonzalez, Jose Conyedo Roman

2nd Violin: Jose Perez Fuentes, Rogelio Martinez Muquercia, Ariel Sarduy Mendez, Humberto Legat Year

Viola: Rafael Cutino Diequez, Lenor Bermudez Bermudez, Angel Zaldivar Copello

Cello: Arelis Zaldivar Copello, Roy Avila Serrano

Bass: Aleida Espinosa, Andres Escaloma Grana

PRODUCTION CREDITS

A World Circuit Production

Produced by Ry Cooder

Recorded, mixed, and mastered by Jerry Boys

Consultant and Coordinator: Juan de Marcos González

Recorded and mixed at Egrem Studios, Havana

Mastered at Livingston Studios, London

Assistant Mastering Engineer: Tom Leader

Project Manager: Jenny Adlington

Cover photo by Karl Haimel

Design by The Team

Executive Producer: Nick Gold


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