by Steve Leggett
The Marketts weren't a band in the standard sense, but a collection of veteran Los Angeles session players assembled by producer Joe Saraceno to capitalize on the emerging surf music scene of the early '60s. Loosely known as &the wrecking crew,& and including, among others, guitarists Tommy Tedesco and Rene Hall, sax player Plas Johnson, bassist Jimmy Gordon, and drummers Earl Palmer and Ed Hall, the so-called Marketts had more in common with 1940s jazz than they did Dick Dale, and this charming collection of shuffles, stomps, and trippy lounge jazz is really a genre all its own. The group's first single, 1962's &Surfer's Stomp& b/w &Balboa Blue,& is indicative, featuring a lazy, sax-led shuffle on the A-side, reprising the same rhythm on &Balboa Blue,& only with a different melody line (again led by Johnson's sax) that generates a leisurely, joyous, and infectious groove. This is wonderful stuff, and while this version of the Marketts (they were really more a brand than a group) was marketed as a surf outfit, their gentle merging of R&B and small combo swing is really something else again, a style that -- for lack of a better term -- might be called &surf jazz.&