The Return of the Darkness and Evil
- 艺人
- Bathory
- 语种
- 英语
- 厂牌
- Black Mark
- 发行时间
- 1985年02月14日
- 专辑类别
- 录音室专辑
专辑介绍
by Eduardo Rivadavia
Like their eponymous debut of a year before, Bathory's 1985 sophomore effort, The Return......, was an unbelievably coarse proto-black metal album influenced almost exclusively by the earlier works of Venom. But make no mistake: such was the genre's state of infancy at the time that, even though it was once again recorded under the most inadequate of circumstances at the auto repair garage Quorthon sympathetically baptized Heavenshore Studios, the album's impact still proved nothing short of revolutionary. Even more than that, The Return...... effectively represented chapter two in the Scandinavian black metal history book; with virtually all of its sonic tenets -- from the satanic lyrics, hoarse shrieks, buzz-saw guitars, and high-speed drums characterizing demonic punk-thrashers like &Possessed,& &Reap of Evil,& and &Son of the Damned,& to the evocatively titled intro piece, &Revelation of Doom& (all rumbling bass noises and tortured screams) -- later regurgitated like bloody gospel by legions of loyal younger musicians. And if it's true that several tracks suffered a little more glaringly from those substandard production standards (notably the off-time mid-section of &The Rite of Darkness&), when they contained the slightly more distinctive riff or chorus, album highlights such as &Born for Burning,& &Sadist,& the masterful &The Return of the Darkness and Evil,& and even the almost laughingly Venom-derived &Bestial Lust (Bitch),& became and remain irresistible slices of primeval black metal to this day. Latter-day black metal enthusiasts may wonder what all the fuss is about, given the above being such ingrained and mundane aspects of the genre they now know; but that's exactly what confirms The Return......'s seminal stature in the annals of extreme metal.
热门评论
- @格隆冬：黑金一旦進入畫花臉和燒教堂階段就開始算行為藝術了 透著一股子自我陶醉的做作氣息
- @地獄里沒有妳：热评站在自己为是制高点装模作样的评论是多好笑阿😂
- @虐殺機関：Quorthon在接受采访时曾经说过，这张《The Return of Darkness & Evil 》才是真正具备撒旦理念的作品。其它的专辑跟恶魔主义都没有太大关系。Quorthon认为，Bathory所有作品中对后世黑金属发展影响最大的应该就是这张。
最新简评（共26条）
- @*(我还没想好要写什么...)：～
- @猛猛故人的幻想ㅤㅤㅤㅤㅤ(深耕某云)：ㅤㅤㅤㅤ
- @总在灵魂深处藏了一些喜悲(行到水穷我才开始害怕，夕...)：-
- @海苔子( )：如果不喜欢第一张专辑的话，这张专辑可以试试，有更好的production（但仍然很kvlt笑）吉他还是那么aggressive，歌词还是那么邪恶，更凶的鼓点。并且氛围感相对于上张专辑显得更厚实（bass啊），punkish trash speed metal在这张专辑里的影响仍然很重，并且和black metal中和的很平衡，所以喜欢punk又喜欢黑金属的老哥，千万不要错过这张哦～
- @ARCKSKY(我知道永世降临并不悲伤)：很邪恶很冷酷的一张转几圈，渗透着严肃和毫无仁慈的气息
- @李小龙经典(最喜欢的歌手/乐手 Da...)：黑金属三部曲：《Bathory》(1984),《The Return…》(1985),《Under the Sign of the Black Mark》(1987)。
- @labertssss(March!!!)：不算彻头彻尾的黑，但是黑味十足！
- @马粪蛋也发烧(来来来！坐过来，让我们一...)：聆了