by Rick Anderson
On the band's debut album, you can hear Capercaillie mapping out what would become its signature sound -- a musical style built on a deep foundation of Celtic tradition but incorporating modern technology and dance-oriented rhythms. It's a fusion that makes purist folkies cringe, but Capercaillie has achieved significant succes with it. Crosswinds is more traditional than the band's later efforts; although synthesized keyboards and distinctly non-Celtic percussion are used throughout, the album is dominated by sets of traditional dance tunes and songs like &My Lagan Love.& If there's a complaint to be made at all, it's that the lustrous voice of Karen Matheson is too rarely placed front and center. She opens the album with a lovely piece of puirt a beul (a rhythmic singing style used in Scotland to accompany dancing), and practically steals the show with her rendition of the gorgeous &Soraidh Bhuam Gu Barraidh.& The instrumentals are also excellent, but not quite as distinctive as her singing -- strangely, the funk basslines that play such an important part in Capercaillie's musical strategy are kept far back in the mix.