Lizard
- 艺人
- King Crimson
- 语种
- 英语
- 厂牌
- EG
- 发行时间
- 1970年12月11日
- 专辑类别
- 录音室专辑
专辑介绍
Lizard is very consciously jazz-oriented -- the influence of Miles Davis (particularly Sketches of Spain) being especially prominent -- and very progressive, even compared with the two preceding albums. The pieces are longer and have extensive developmental sections, reminiscent of classical music, and the lyrics are more ornate, while the subject matter is more exotic and rarified -- epic, Ragnarok-like battles between good and evil that run cyclically. The doom-laden mood of the first two albums is just as strong, except that the music is prettier; the only thing missing is a sense of humor. Jon Anderson of Yes guests on one key number, "Prince Rupert Awakes" (which vocalist/bassist Gordon Haskell never completed), and the album is stronger for his presence. At the time of its release, some critics praised Lizard for finally breaking with the formula and structure that shaped the two preceding albums, but overall it's an acquired taste.
热门评论
- @午夜太阳Ray：欣赏king.crimson的同学们才是真正的CHIC。喜欢prog十几年到了这把年纪貌似才能听懂KC一点点。。。PS这张封面颇有点爱马仕的赶脚呵呵。
- @碟头饭：更新了无损资源
- @早起看见绿玻璃恶魔就撞墙：人们在一副嵌套画里看到的完全是不是自己的样子，然而正是自己的样子。这种不断异化的镜像可以化解一部分镜像，但拒绝镜像则完全不可能把握非镜像。当他照镜子时，他实际上是非他。然而他认为他是他了。抑或他说他是非他，然而他却是他。可怜的铁蹄！镜中人非永恒而镜永恒；镜将魔化，而磨镜人将守夜。 什么是巨大和马戏篷？饥饿表演者，且是现代的“被“审判者？大部分试图控制的碎裂给没有呼吸的空间如回纥军旅一把风卷搅碎一切，寻拼图者繁忙到底，却片叶无得骈掇。根本无法享受自由的对位与嬉戏，整个玻璃泪之战让其他女士或水舞者尴尬地成了猫食，但”蜥蜴的神性时刻“不可扭转得化作卷内的绞肉机器
最新简评（共75条）
- @粗心的悟空：这么久没来虾米，宋又更新了哈哈哈哈哈跟追番一样
- @Lark(我还没想好要写什么...)：50周年噢
- @*(我还没想好要写什么...)：～
- @大喵(不要自我设限.....)：⭐️⭐️⭐️
- @EWMN柴木寒(虾米音乐陪葬品)：。
- @Z：-
- @未知生物：又少了几首？
- @总在灵魂深处藏了一些喜悲(行到水穷我才开始害怕，夕...)：▼
- @未知生物：佛
- @ARt1st(迷幻南方摇滚蓝调自赏仙音...)：小吉他吱嘎嘎