by Ned Raggett
It starts with feedback, hum, and fuzz, then a heavy guitar riff emerging from the murk -- arguably Bardo Pond in a nutshell. Then again, enough other bands do the same thing, so why should the Pond get singled out? It's hard to pin down an exact reason, but whatever &it& is that a band needs to connect, they've got it. The slow, stony pace that &Adhesive& establishes for Bufo Alvarius Amen 29:15 continues through the album's remaining tracks, but in such a way that Bardo Pond rapidly become their own band and not merely the sum of their influences. There's something about the combination of lo-fi crunch, post-shoegaze bliss-out, stoner Quaalude head-nodding, and Loop/Spacemen 3-inspired drone that's truly unique. Standout moments abound: &Back Porch& has a series of instrumental breaks with brief, beautiful guitar lines, while on the soft jangle of &On a Side Street,& various solos unfold slowly but surely in the background as lowly sung lyrics amble about. &Capillary River& has some astonishing, transcendent soloing in the middle of the song, building up to a brilliant final verse as Gibbons' vocals are lost in feedback and haze. The low-key shuffle/drone &Absence& is a good showcase for Sollenberger's singing -- sweeter and clearer here than might be expected. The CD version includes what might be the ultimate head-trip of them all, at least for this particular album: the 30-minute &Amen.& The central part of the song is a fairly simple chord progression repeated again and again, but it's the various touches throughout the number -- the extra drones, watery deep reverb on the bass, and slow overall rhythm -- that make it the understated monster it is.