János Starker: The Warner Legacy
- 艺人
- János Starker
- 语种
- 其他
- 厂牌
- Warner Classics
- 发行时间
- 2014年10月06日
- 专辑类别
- 精选集
专辑介绍
In the years from 1957 to 1959, producer Walter Legge had recordings made of the essential items in the Hungarian cellist’s repertoire. This complete collection of his recordings for EMI and Erato represents the summit of Starker’s achievement on disc. Legge, a perfectionist and a ruthless critic, undoubtedly found in the restrained manner and inward-looking temperament of Starker an ideal talking companion, especially since the two men had a pronounced liking for caustic humour, and one can be sure that the stamp of the famous artistic director was constantly in evidence throughout the recording sessions.
The listener will be surprised, on the other hand, when he hears again the first complete set of the Suites of Bach recorded by Starker (he was to record them twice more) by an approach which is much more committed and much more varied than memory will have led him to believe. The manner is of course apollonian, the playing both subtle and full of intensely personal accents, but it is the variation in tempo and the animation with which each Suite is charged that bring to the whole collection an unaccustomed depth, only otherwise to be found in the recent recordings made by exponents of the gamba.
The Sonata of Kodály, recorded between sessions devoted to the complete Suites of Bach, is one of the rare recordings by Starker that reveal the technical mastery that the virtuoso had attained by the end of the Fifties. This electrifying production gives the lie to the legend of an exclusively intellectual and severe János Starker and highlights one of the facets of an artist it is high time we rediscovered in all his varied dimensions. May this issue contribute to a revaluation of a remarkable musical personality.
热门评论
- @ophelia✿：无损转320K
- @云溪：Starker有高人的技巧，追求质朴、刚劲的演奏。他重新编订了巴赫的6首无伴奏组曲，强调了那种粗砺、刚劲的表达。他演奏的科达伊的奏鸣曲，把此曲技巧上的高难表现得游刃有余堪称绝活。而他在Mercury录制的德沃夏克协奏曲，舒曼、拉罗、圣桑的协奏曲，都是他最成熟时期的丰硕成果。[红心]
- @豪放的bamboo："拥有类似男声深沉浑厚的音色原来是如此宽广温暖，如此富有表现力，如此富于抒情和歌唱性。从音乐响起的那一刻，对大提琴的爱溢如倾巢。" ——《Epoch Theory》，最爱大提琴
最新简评（共36条）
- @木鸡(～)：～
- @英俊的刺猬：至今唯一能进去的大提琴演奏，感谢虾米推送
- @泡泡：！！！
- @水军指挥官(哪里会有人喜欢孤独，不过...)：！！！
- @niuxyu(我还没想好要写什么...)：感觉他人应该不错。
- @大喵(不要自我设限.....)：
- @明镜止水(音乐比哲学有更高的启示—...)：溪树溪树 2019-12-24 11:43 直译成《亚诺什.史塔克：华纳唱片的遗产》，当否？ 来自android客户端 明镜止水 (音乐比哲学有更高的启示—...) 2019-12-24 12:13 溪树溪树说： 可以的，遗产遗作均可 来自iPhone客户端 溪树溪树 2019-12-24 12:17 明镜止水说： 还是遗产更恰当一些吧，“遗作”有作曲家生前未发表的作品之意，容易引起歧义。祝平安快了，合乐吉祥！ 来自android客户端
- @淽煙錁 íǐì(VIIII)：.•.
- @金秋夕露(我还没想好要写什么...)：赞极了
- @hohode(音乐就是我的空气……)：值得收藏……