by Chris True
It's never been easy to pin Matt Johnson down. He's always come across as intense and dark, but much of his music is melodic and airy. He managed to turn his gentle rage into a masterpiece on 1990's Mind Bomb, and captured heat on record with Dusk. But there's no new ground broken on NakedSelf.
Overall, it is a hit-and-miss affair. The opener, "Boiling Point," is a slow build that never seems to hit stride, but "Shrunken Man" is a solid number with well-timed production. Matt has always had a good ear for melody, and most of the songs here are no exception. Tracks like "December Sunlight," "Global Eyes," and "Phantom Walls" float hand in hand with his airy vocals.
If the album proves anything, it's that Matt has learned that he should never work alone. The band he assembled here is tight and flows well with Johnson's melodic sensibilities. The strong points on NakedSelf are not hard to find, but they are subtle. And while it is a solid collection of songs, The The have shone brighter.