by Heather Phares
After years on the shelf due to Mark Kozelek's drawn-out problems with Supreme and Island, the Red House Painters' long-awaited Old Ramon finally sees the light of day, thanks to Sub Pop. As it stands, the label needs Kozelek as much as he needs them -- after a few years' worth of disappointing releases from garage rock revivalists, Old Ramon breaks Sub Pop's losing streak. Ironically, the album's long-delayed release only makes its joyous sound that much more refreshing; its inviting mix of gentle and fuzzy guitars and Kozelek's empathetic vocals make it the Painters' most hopeful, accessible work. Though one of Old Ramon's finest songs, &Find Me, Reuben Olivares,& ended up on the Shanti Project Collection, the remaining ten songs are first-rate expressions of Kozelek's thoughtful songcraft and guitar work. Beginning with &Wop-A-Din-Din,& a chiming, charming tribute to Kozelek's cat, the album signals a lighter, freer approach than one might expect from the often-brooding Painters. Even slow, wistful numbers like &Smokey,& &Cruiser,& and &Void& -- whose title suggests a harrowing, soul-searching song like Down Colorful Hill's &24& -- sound downright sunny in comparison to Kozelek's early work. Though Old Ramon keeps the polish of later Red House Painters albums like Songs for a Blue Guitar, the album has an added immediacy and vitality, particularly on surprisingly poppy tracks like &Byrd Joel,& a winning blend of folk and fuzz, and &Between Days,& which features some of the most luscious-sounding guitars ever heard on a Red House Painters song. Kozelek's impressive, expressive guitar lines also get plenty of breathing room on the otherwise languid, 11-minute epic &River,& while his rich, rounded vocals on the hypnotic &Golden& and countrified, slow-building &Michigan& reaffirm his place as one of alternative/indie rock's finest singers. The gently whimsical love song &Kavita& provides a happy ending to an album whose difficult story definitely deserves one. But in spite of the trouble surrounding it, Old Ramon is a surprisingly comfortable sounding album, as if its long delay was intended to let its songs mellow and ripen with time, making the long wait for it all the more worthwhile.