by Ed Rivadavia
1985's Love displayed a marked improvement over the Cult's early material, and though it remains underappreciated in America (worldwide it was a smash), this exceptional record has actually aged better than the band's more notorious (and equally important) releases: Electric and Sonic Temple. Equal parts psychedelic hard rock and new wave goth, the songs on Love emanate a bright guitar sheen, tight arrangements, crisp drumming, and a command performance from vocalist Ian Astbury, who as usual says a lot more with less than most singers. Overall, the album benefits from a wonderful sense of space, thanks in large part to guitarist Billy Duffy (who is much more subdued here than on future releases), whose restraint is especially notable on &Revolution& and the remarkably uncluttered title track. Duffy also provides compelling melodies (&Hollow Man,& &Revolution&), driving riffs (&Nirvana,& &The Phoenix&), and even a U2-like intro to &Big Neon Glitter.& Also on offer is the near-perfect &She Sells Sanctuary& and the smash hit &Rain,& quite possibly the band's most appealing single ever. Considering the musical schizophrenia that would plague each subsequent Cult release, Love just may be the band's purest moment.