Aladdin Sane

9.5分（97人评分）

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共20首歌曲

艺人: David Bowie
语种: 英语
厂牌: RCA
发行时间: 1973年04月13日
专辑类别: 录音室专辑

专辑介绍

David Bowie在The Rise and Fall of Ziggy Stardust and the Spiders from Mars引起轰动，一战成名之后的又一张专辑，首发于1973年。他自己评论说，这张专辑就类似于Ziggy的进军美国版，并不认为有很多新东西。不过，专辑进军美国的目的确实实现了，在乐评人看来，这张专辑中David Bowie的表现也是十分出色的，堪称glam rock的经典代表作。

这张专辑在滚石杂志选出的500张历代最强专辑中排名第277位。

by Stephen Thomas Erlewine

Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic.

Aladdin Sane

专辑介绍

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