by Thom Jurek
This Futura CD issue of vanguard trumpet legend Ted Curson with the Georges Arvanitas Trio in a Paris studio is one of those very special dates where everything seems to go right. Curson is in excellent form here, whether he is playing free improvisation as on &Latin Quarter,& which opens the set and is a fiery 13-minute excursion into the outer reaches of free jazz, or turning in a slightly bent but nonetheless streaming hard bop performance as he odes on the next track, &Flip Top.& The Arvanitas Trio, an under-celebrated band that backed virtually every major American musician in Paris proves how well it adapts to Curson's muscular style by responding with more muscle. Arvanitas' left-hand rhythm comping is tough and full of fire and edges. On &L.S.D. Takes a Holiday,& Arvanitas pushes Curson hard to the edges of a harmonic shelf that finally bleeds off into a blazing symmetry of angles that is propelled into an abyss by the ferocious bass playing of the under-heralded Jacky Sampson. Also noteworthy are Curson's compositions here that, like much music of their time, leave tradition to the dust. He engages it and the blues in a sort of modal inquiry, where he wraps extant ideas about form, tonal sonance, and intervallic architecture in a phraseology and compositional elegance that was beyond most of his peers. Futura's CD version sounds warm, lovely, and very much alive. Thank goodness this is available again.